| 朱熹以理学为精神内核的服饰美学思想 |
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| 引用本文： | 蔡子谔.朱熹以理学为精神内核的服饰美学思想[J].河北师范大学学报(哲学社会科学版),2002,25(2):61-65. |
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| 作者姓名： | 蔡子谔 |
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| 作者单位： | 河北省社会科学院,文学所,河北,石家庄,050051 |
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| 摘 要： | 朱熹是程朱理学的代表人物和集大成者，他的以理学为精神内核的服饰美学，在其繁博宏富的哲学体系中占有重要的一席之地。本文试图从理性本体论、伦理学本体论和“中庸”与“中和”特色等三个视角，来阐释他深湛的服饰美学思想及其对中国儒家服饰美学思想在继承和发展上所产生的重大作用和深远影响。
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| 关 键 词： | 朱熹 理学 服饰美学 |
| 文章编号： | 1000-5587(2002)02-0061-05 |
Zhu Xi's attire aesthetics with Neo- Confucianism as the core |
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| CAI Zi,e.Zhu Xi''s attire aesthetics with Neo- Confucianism as the core[J].Journal of Hebei Normal University(Philosophy and Social Science),2002,25(2):61-65. |
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| Authors: | CAI Zi e |
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| Abstract: | Zhu Xi is the representative figure and a great master of Neo-Confucianism of Cheng Hao,Cheng Yi and Zhu Xi,His attire aesthetics with Neo-Confucianist ideological concept as the core is an important component of his profound philosophical system.Based on the rational subject,ethic subject,the doctrine of the mean and the doctrine of harmony,this paper analyzes Zhu Xi's attire aesthetics,focusing on his inheritance and development of Confucianist attire aesthetics,its function and far-reaching repercussions. |
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| Keywords: | Zhu Xi Neo-Confucianism attire aesthetics |
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