| 汉代乐舞百戏研究 |
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| 引用本文： | 徐卫民,武梅.汉代乐舞百戏研究[J].咸阳师范学院学报,2011,26(5). |
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| 作者姓名： | 徐卫民 武梅 |
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| 作者单位： | 1. 西北大学文化遗产学院,陕西西安,710069
2. 临潼博物馆,陕西临潼,710600 |
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| 摘 要： | 汉代音乐文化随着国力强大和统治阶级的提倡,成为我国封建社会音乐文化发展的第一个高潮时期,主要表现在乐府机构的完善、鼓吹的盛行、乐舞百戏文化的新进展以及音乐由宫廷文化向大众文化转变等方面。汉代音乐文化在中国音乐史上写下了华丽的篇章,对后代音乐文化影响深远。
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| 关 键 词： | 汉代 乐舞百戏 研究 |
A Study of Music Dance and Acrobatics of the Han Dynasty |
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| XU Wei-min,WU Mei.A Study of Music Dance and Acrobatics of the Han Dynasty[J].Journal of Xianyang Normal University,2011,26(5). |
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| Authors: | XU Wei-min WU Mei |
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| Institution: | XU Wei-min1,WU Mei2 |
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| Abstract: | The Han dynasty,with the increasing prosperity of the empire and the advocacy of the ruling classes for various kind of entertainment,saw the first peak in the development of music,dance and acrobatics,symbolized in the improvement of Yue Fu（Office of Music,a musical institution exclusively for the royal family）,the popularity of percussion instruments,the development in music,dance and acrobatics,and the spread of music from the imperial palace to the general public.Therefore,this period serves as an important phase in Chinese music history and exerts far-reaching influence on succeeding dynasties. |
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| Keywords: | the Han dynasty music dance and acrobatics research |
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