| 李商隐"无题"诗和莎士比亚"十四行"诗意象主要表现形式之比较 |
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| 引用本文： | 周小英.李商隐"无题"诗和莎士比亚"十四行"诗意象主要表现形式之比较[J].重庆职业技术学院学报,2006,15(6):124-126. |
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| 作者姓名： | 周小英 |
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| 作者单位： | 四川外语学院,研究生部,重庆,400031 |
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| 摘 要： | 李商隐“无题”诗和莎士比亚“十四行”诗分别在中国与英国抒情诗的历史上占有重要地位。本文拟从诗歌的意象着手,来探讨二者诗歌中意象共同的主要表现形式——潜沉的意象和扩张的意象在诗歌中相同和不同的表达,并简单梳理造成这些差异背后作者所处的不同时代和文化背景。
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| 关 键 词： | 无题诗 十四行诗 潜沉意象 文化背景 |
| 文章编号： | 1672-0067（2006）06-0124-03 |
| 收稿时间： | 2006-09-22 |
| 修稿时间： | 2006年9月22日 |
The Comparison between the Main Approaches to Images of Li Shangyin's Untitled Poem and that of Shakespeare's Sonnet |
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| ZHOU Xiao-ying.The Comparison between the Main Approaches to Images of Li Shangyin''''s Untitled Poem and that of Shakespeare''''s Sonnet[J].Journal of Chongqing Vocational& Technical Institute,2006,15(6):124-126. |
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| Authors: | ZHOU Xiao-ying |
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| Abstract: | Both Li Shangyin's untitled poem and Shakespeare's Sonnet play very important role in the history of lyrical poetry in China and England respectively.In light of image,this paper expounds the same and different ways of the main approaches of the two kinds of poems,that is,the latent image and the outstretched image.Furthermore,in correspondence with their difference,it briefly lists their different ages and cultural backgrounds of the two authors. |
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| Keywords: | untitled poems Sonnet image cultural background |
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