| 从本体论自我到认识论自我的转变——萧伯纳剧作《卖花女》中伊莉莎身份认定的哲学分析 |
| |
| 引用本文： | 赵琳娅.从本体论自我到认识论自我的转变——萧伯纳剧作《卖花女》中伊莉莎身份认定的哲学分析[J].安阳工学院学报,2007(5):64-66. |
| |
| 作者姓名： | 赵琳娅 |
| |
| 作者单位： | 河南大学,河南,开封,475001 |
| |
| 摘 要： | 萧伯纳戏剧《卖花女》中伊莉莎接受了语言学教授的语言试验,想通过改变语言来实现自己的梦想.可是,改变后的伊莉莎却不能找到真正的自我.本文试图从哲学角度分析伊莉莎从本体论自我到认识论自我的转变过程,以此深挖主题.
|
| 关 键 词： | 自我认定 本体论 认识论 |
Analyze Eliza's Transformation from Ontological Self to the Epostemological Self |
| |
| ZHAO Linya.Analyze Eliza's Transformation from Ontological Self to the Epostemological Self[J].Journal of Anyang Institute of Technology,2007(5):64-66. |
| |
| Authors: | ZHAO Linya |
| |
| Abstract: | George Bernard Shaw's play Pygmalion describes Eliza, a flower girl, tries to realize her dream by changing her utterances, appearance with the experiment of a linguistic professor. But Eliza fails to match her language with her self-identity. This paper tries to analyze Eliza's transformation from ontological self to the epistemological self on the philosophical perspectives so as to deepen the meaning of the play. |
| |
| Keywords: | self-identity ontology epistemology |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
