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“人生艺术化”审美命题的生存论美学阐释
引用本文:齐光远.“人生艺术化”审美命题的生存论美学阐释[J].南阳师范学院学报,2011,10(2):89-92.
作者姓名:齐光远
作者单位:辽宁大学,文学院,辽宁,沈阳,110036
摘    要:人生艺术化是生存的审美命题,是诗意的审美人生。它抛弃了主客二分的思维方式,摆脱了非理性的宗教意识,因而在审美的状态中获得了人生的本真意义及自我的超越。人生艺术化的生存方式体现了生存主体的自我澄明,其以主体间性为哲学基础,通向人与自然、世界相统一的天地境界。

关 键 词:人生艺术化  诗意  澄明  主体间性  天地境界

An Explication of the Aesthetic Proposition on the "Artistry of Life" in the View of Existential Aesthetics
QI Guang-yuan.An Explication of the Aesthetic Proposition on the "Artistry of Life" in the View of Existential Aesthetics[J].Journal of Nanyang Teachers College,2011,10(2):89-92.
Authors:QI Guang-yuan
Institution:QI Guang-yuan(College of Liberal Arts,Liaoning University,Shengyang,Liaoning 110036,China)
Abstract:The artistry of life is an aesthetic proposition of existence and a poetic aesthetical life.Since it abandons the mode of thinking of dichotomy between subject and object and shakes off the irrational consciousness of religion,it obtains the true meanings of life and accomplishes the transcendence of the self.The living mode of the artistry of life reflects the self-clarification of the existential subjectivity,which takes inter-subjectivity as its philosophical basis,culminating in the transcendent sphere of harmonious unity among human,nature,and the world.
Keywords:the artistry of life  poetic  clarification  inter-subjectivity  the transcendent sphere
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