| 论马克思主义文艺美学对人性极端化表达的批判 |
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| 引用本文： | 何小平.论马克思主义文艺美学对人性极端化表达的批判[J].湘潭师范学院学报(社会科学版),2005,27(1):16-17. |
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| 作者姓名： | 何小平 |
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| 作者单位： | 湖南科技大学,中文系,湖南,湘潭,411201 |
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| 摘 要： | 文学创作实践和理论层面存在两种偏狭：人性的抽象化或原欲化。两种极端化的原因在于人的活动与活动的人内部的分裂以及二者之间关系的分离。如何从分裂的现状走向融合，马克思文艺美学作出了有意义的深刻的探讨。
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| 关 键 词： | 人性极端化 分裂 超越 融合 马克思主义 文艺美学 |
| 文章编号： | 1009-4482(2005)01-0016-02 |
| 修稿时间： | 2004年3月6日 |
A Probe into Criticism of the Marxist Literary Aesthetics about the Human Nature |
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| HE Xiao-ping.A Probe into Criticism of the Marxist Literary Aesthetics about the Human Nature[J].Journal of Xiangtan Normal University(Social Science Edition),2005,27(1):16-17. |
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| Authors: | HE Xiao-ping |
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| Abstract: | There are two kinds of extremes during the course of literary practice and the theorial inquiry: one is the human nature's being abstractlizd, the other is the human nature's being primevalized. The cause of the two extreme expression lies in the separation between human being's action and human being as the subject of act. How to actualize the breakthrough from the separation and step into the harmony, Marxist literary aesthetics make a thorough inquiry about it. |
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| Keywords: | human nature separation surpass blend |
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