| 暴力·越界——从《白噪音》看后现代文化语境下的翻译标准 |
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| 引用本文： | 郝玉荣.暴力·越界——从《白噪音》看后现代文化语境下的翻译标准[J].甘肃高师学报,2010,15(1):81-83. |
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| 作者姓名： | 郝玉荣 |
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| 作者单位： | 兰州城市学院外国语学院,兰州甘肃,730070 |
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| 摘 要： | 以美国著名后现代作家唐·德里罗的《白噪音》为例,在批评传统翻译观念中关于"忠实"性翻译标准的基础上,提出了目前在翻译活动中应遵守的原则,即后现代文化语境中的翻译标准。它们是:符合知识的客观性;理解的合理性与解释的普遍有效性;符合原文的定向性。用暴力颠覆原文的界限,从而寻求译文的真正越界。
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| 关 键 词： | 暴力 越界 《白噪音》 后现代文化语境 翻译标准 |
On Translation Criterion of Post-Modernist Cultural Context: Violence and Transgression |
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| HAO Yu-rong.On Translation Criterion of Post-Modernist Cultural Context: Violence and Transgression[J].Journal of Gansu Normal College,2010,15(1):81-83. |
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| Authors: | HAO Yu-rong |
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| Institution: | HAO Yu-rong(College of Foreign languages and Literatures,Lanzhou City University,Lanzhou Gansu 730070) |
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| Abstract: | Based on the criticism of the criterion＂Faithfulness＂in the traditional translation studies,this paper proposes some principles in translation practice by which the translator should abide,i,e.,the translation criteria in the Post-Modernist cultural context ： conforming to the objectivity of knowledge;rationality of understanding and validity of interpretation;consistency with the orientation of the original text.The author also illustrates through comparison the distinctive features of the new criterion,that is to say,pursue for transgression of TT,violence breaking the limitation of ST. |
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| Keywords: | violence transgression white noise Post-Modernist cultural context translation criterion |
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