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1.
Stephanie Newell 《Media History》2016,22(1):101-122
This article describes the shifts and contradictions in British approaches to the control of print media in colonial West Africa between the 1920s and 1940s. Well before the Colonial Office's post-war interventions to create an ‘enlightened and educated’ West African citizenry through mass education, decades of independent newspaper production in the region helped to shape independent and critical readerships. For the British, however, an upsurge in African nationalist journalism in the mid-1930s coincided with a perceived Communist infiltration of ‘British West Africa’ to make censorship and surveillance more palatable than before to colonial officials in London, in spite of the new emphasis on public relations. 相似文献
2.
This article explores the British and West German public service radio’s abilities to reflect on and to address the specific needs and expectations of migrant groups in their programmes between the 1960s and 1980s. Mechanisms of social inclusion and exclusion alike can be investigated here. Empirically, it is based on comparisons of radio broadcasts on and for different immigrant communities, produced by BBC Radio Leicester on/for the post-war Asian migrants in England and by West German public service broadcasting on/for ‘Gastarbeiter’ (foreign workers) as well as for ‘Spätaussiedler’ (German repatriates from East Europe). Radio is studied as an agent of identity management and citizenship education. Not only did radio talk about migrants and migration to introduce these topics and the newcomers to the local population. It also offered airtime to selected migrant communities to cater for their needs and interests as well as to facilitate their difficulties of adjusting to an unfamiliar environment. 相似文献
3.
Keith M. Johnston 《Media History》2013,19(4):377-388
Through an analysis of the first British television ‘trailers’, this article explores an intersection within media history where the film industry attempted to reach out and utilise the new dissemination medium of television. Whilst this moment could be read as an attempt to control the promotion of film on British commercial television, and impose American film trailer aesthetics on the ‘rival screen’, I explore the television trailer as an early cross-media text that offered a challenge to existing trailer structure and style. By focusing on the recreation of these lost texts through trade press commentary, the article provides a new perspective on industry attitudes, media technology and media relationships in this transitional moment. 相似文献
4.
Kevin Rafter 《Media History》2013,19(4):408-420
Much of the focus on the closure of the News of the World in 2011 was in the context of the newspaper as a national publication in the UK. The News of the World, however, had a significant history in Ireland. This article focuses on one aspect of that history culminating in the banning of the newspaper in 1930 at a time when it was the best-selling title in the Irish market. The prohibition followed an almost two-decade campaign against ‘dirty’ publications led by the Catholic Church and its supporters so as to safeguard sexual morality in Ireland against ‘alien’ influences. Understanding the rationale for targeting the News of the World and other popular British newspapers is central to fully considering the censorship campaign as well as the work of the government-appointed Committee on Evil Literature in 1927. Given the emboldened outlook of the Catholic Church following independence from the UK in 1922, the highly effective censorship campaign met little public or political resistance despite the popularity of the News of the World. Along with offering a deeper understanding of this specific censorship campaign against the press, this article also explores the role of British newspapers beyond their core domestic market. 相似文献
5.
Jane Chapman 《Media History》2015,21(3):238-251
Within the cut-throat world of newspaper advertising the newspapers of Britain's Women's Social and Political Union (WSPU) Votes for Women and the Suffragette managed to achieve a balance that has often proved to be an impossible challenge for social movement press—namely the maintenance of a highly political stance whilst simultaneously exploiting the market system with advertising and merchandising. When the militant papers advocated window smashing of West End stores in 1912–1913, the companies who were the target still took advertisements. Why? What was the relationship between news values, militant violence and advertising income? ‘Do-it-yourself’ journalism operated within a context of ethical consumerism and promotionally orientated militancy. This resulted in newspaper connections between politics, commerce and a distinct market profile, evident in the customisation of advertising, retailer dialogue with militants and longer-term loyalty—symptomatic of a wider trend towards newspaper commercialism during this period. 相似文献
6.
Sarah Lonsdale 《Media History》2015,21(3):265-279
The enormous changes wrought in the British newspaper industry during the late nineteenth and early twentieth centuries brought about a revolution in newspaper reading habits, financing and influence, all aspects of which have been well documented by historians of the press. But what of the contributor, particularly the freelance whose millions of words formed, mostly anonymously, the content of the new mass market press? How did writers negotiate changes in the literary marketplace during this time as editors demanded more ‘news’ and less in the way of whimsical paragraphing, and sketches, the traditional newspaper output of the professional man, or woman, of letters? Through the study of memoirs, correspondence and the fictional output of contributors to the press during this time, it is possible to discern the often fraught relations between writers and their most lucrative market. 相似文献
7.
Paul Manning 《Media History》2013,19(4):479-495
This paper draws upon archive material to explore the reasons for the absence of any drugs education films, or ‘mass-mediated drugs education’, during the immediate post-war period in Britain. The term ‘mass-mediated drugs education’ is used to refer to any drugs education messages communicated via the mass communication technologies of the twentieth century—the ‘high modern age’. While this might appear a rather narrowly defined interest in media history, the evidence offered in explanation provides some important insights into the assumptions made about mass media by British policy-makers and political elites during the ‘high modern age’ of mass communication. In contrast to Britain, during the same period in the United States, a plentiful supply of drugs education films was generated through the energies and interests of state agencies and moral entrepreneurs. Many of the US films of the ‘reefer madness’ era of the 1930s and the short ‘social guidance’ films of the fifties and sixties still remain in circulation, thanks to YouTube and other video file sharing sites where they are widely relished for their hysterical and wildly exaggerated treatment of the dangers of illicit drug use. However, in Britain there is an absence of any drugs education films or mass-mediated drugs education during the fifties and sixties, while the first government-sponsored mass-mediated drugs education was not produced until the mid-1980s, five decades after the first US films appeared. 相似文献
8.
在19世纪中期的英国,报刊作为第四等级与其他三个等级抗衡的力量得以充分的彰显。那么,在当时人们的心目中,作为第四等级的报刊应当享有怎样的政治与社会地位?当报刊被赋予这样的地位时,人们期待它能够起什么样的作用并扮演什么样的角色?本文通过英国报刊史上若干篇重要文献,包括1852年《泰晤士报》的两篇社论、19世纪英国报刊史两部专著,以及1855年《泰晤士报》主笔瑞夫《报刊》一文等,分析了19世纪中期的英国报刊史学家以及报人们是怎样理解第四等级报刊观念的。 相似文献
9.
Per Jørgen Ystehede 《Media History》2014,20(4):368-383
In Norway, one of the best examples for examining cultural narratives of murder is what is known as the Lensmannsmordersaken, i.e., ‘the case of the county police officers murder’. After summarising the key events of this sensational 1926 case, this article will consider its presentation in the Norwegian press, the impact of contemporary debates around the death penalty, the influence of scientific understandings of criminality, and the case's subsequent reimagining in literature and film. This article shows how inter-war criminalistic fantasies reflected a broad variety of fears, notably those related to ethnic otherness and anxieties related to Norway's then recent achievement of full political independence. A literary version of the case from the 1930s—one of Norway's first ‘true-crime’ novels—is also considered, as is a post-war feature film based on the murder that was banned (for privacy reasons) in 1952 and not released again until 2007. 相似文献
10.
Femininity and beauty ideals are historically and culturally constructed. The current study examines the role of advertising in cultivating and accentuating cultural ideals of skin beauty. A content analysis was conducted on skin beauty advertisements (SBAs) in women's magazines (local editions Cosmopolitan and Vogue) from China and the USA. The findings provide evidence for the ‘white or tan’ dichotomy in skin beauty ideals between contemporary Eastern and Western cultures as how they are reflected and reproduced in SBAs, although the ‘tan ideal’ in the US was not as apparent as the ‘white ideal’ in China. The study also sheds light on the divergence and similarity in global advertising strategies (level of localization and standardization in execution elements) within the two markets. Implications for the globalization of beauty ideals and marketing practices are discussed. 相似文献
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12.
Heather Shore 《Media History》2014,20(4):352-367
This article focuses on the reporting of racecourse crime, exploring the shifting cultural contexts in which the press constructed outbreaks of metropolitan gang-related crime. The first part of the article looks at the extended coverage of what became known as the ‘racecourse wars’, concentrating on three key themes which permeate the accounts of racecourse crime between 1920 and 1925: the organisation of crime, the use of firearms and the mobility of criminals. The coverage of these events, which can be traced across a number of different newspapers, was often described in ways that reflected concerns about the organisation and professionalisation of crime. After 1925, despite continuing outbreaks of violence and racecourse-related crime, the press coverage subsided. However, in 1936 the racing men once again became ‘folk devils’, and the final part of the article explores the re-emergence of press reportage by considering the responses to the Lewes Racecourse Affray in June 1936. In this latter period, the rising influence of the American gangster film (as well as coverage of events in American cities such as New York and Chicago) meant that a newer language of gangsterdom would become increasingly embedded in British cultural forms. 相似文献
13.
Derek Kompare 《Media History》2013,19(2):153-169
In the early months of 1947, as it sought to save power during an acute fuel crisis, Clement Attlee's Labour government suspended the publication of all British periodicals for a period of two weeks. This would have been a bold step for any government, let alone one which had as uncomfortable a relationship with the press as Attlee's did, and, at the time, the press was not slow to suggest that the suspension was motivated as much by political factors as it was by a desire to conserve fuel. This article examines the implementation and nature of the suspension, exploring the tensions it generated and asking whether the government's actions can be described—as they were by some contemporary observers—as a deliberate act of suppression. 相似文献
14.
Maria Dicenzo 《Media History》2013,19(2):115-128
The late nineteenth century American mass circulation press developed a style of ‘new journalism’ that gave rise to celebrity journalism. It is widely accepted that this new approach to reporting replaced news values with entertainment as a consequence of the need to cater to the tastes of a mass readership and this is seen to explain the incredible innovations that occurred in the press in the US at the time (Ponce de Leon; Roggenkamp; Tebbel; Turner; Schudson Discovering the News). This article questions this version of American press history by arguing that those papers also had to appeal to the politics of poor immigrants and the working class and that the conventions associated with celebrity overlapped and often coincided with a ‘radical’ populist campaigning style of reporting that was as important (and at times, more important) to building and sustaining mass readerships. 相似文献
15.
Justin Bengry 《Media History》2013,19(2):146-166
From the Sunday Pictorial's 1952 ‘Evil Men’ series, the first postwar exposé on homosexuality to appear in the British popular press, to the 1964 achievement by its stable mate the Daily Mirror of record circulation figures, both papers commodified and sensationalized homosexuality for consumption by mass newspaper audiences. Sensationalism was combined with homosexuality as a deliberate strategy to succeed in Britain's highly competitive postwar circulation wars and also to promote particular personal and political agendas of key directors. But historians have tended to focus on the vitriol of sensationalism, emphasizing its homophobic content, without fully interrogating the tactic itself. This paper looks at the origins of sensationalism as a strategy at Mirror Group newspapers, asserting that sensational treatments of homosexuality concretely illuminate the multiple interactions between subjective beliefs and the seemingly objective profit motive. At the Daily Mirror and Sunday Pictorial, homosexuals held a negative moral, political, and social value, but critically, they also held a high commercial value. 相似文献
16.
Ryan Linkof 《Media History》2013,19(2):107-125
This essay closely analyzes the 1936 British film Sensation, directed by the eccentric queer filmmaker Brian Desmond Hurst. The film participated in an extensive and heated debate about intrusive and ‘sensational’ press practices that erupted in the 1930s. In his cinematic version of events, Hurst made sensational journalism seem like an exciting, if morally dubious, part of modern life—a news form that satisfied a basic human desire to learn about the private lives and hidden secrets of other people. This essay shows how Sensation, in its ambivalent relationship to this fraught cultural issue, reveals some of the complexities of interpreting queer filmmaking before the advent of a self-aware and politicized ‘queer film.’ It argues that intrusive journalism was of interest to Hurst precisely because it engaged with issues at the core of queer identity—exposure, revelation, privacy, and criminality—before the decriminalization of homosexual acts. 相似文献
17.
Peter Putnis 《Media History》2013,19(3):284-304
This paper examines the role of the London-based international news agency, Reuters, in transmitting propaganda-inspired news to Australia during the First World War as well as the take-up of such news by the Australian press. It explores how the propaganda function was understood within Reuters and how this function changed during the course of the war. It focuses on Reuters’ establishment, in March 1917, of a special British Empire ‘supplementary’ news service designed to unite the Empire behind the war effort. The paper explains Reuters’ success in Australia which arose, in large part, from its partnership with the United Cable Service, an Australian agency managed by Keith Murdoch. 相似文献
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19.
Melanie Ramdarshan Bold 《Publishing Research Quarterly》2018,34(3):385-406
The conversations surrounding ‘diversity’ in the Anglo-American book publishing industry have increased in recent years, and often centre around the lack of representation of publishing professionals, authors, and characters of colour. This paper contextualises these discussions within British YA, a market that has grown in popularity since 2006. Through an analysis of the corpus of all Young Adult fiction titles published, in the UK, during the 2006–2016 period, this paper will investigate what percentage of the titles were created by authors of colour; to determine whether this number has risen over the years, and to pinpoint any patterns and anomalies that emerge over the time period. 相似文献
20.
Stefano Gambari 《Cataloging & classification quarterly》2013,51(5-6):455-486
AbstractThis article deals with the figure of Antonio Panizzi, considered as an Italian patriot and English librarian. It highlights the constant attention he devoted to the Italian political events throughout his life: from his arrival in London (1823) as a political exile, to his informal ambassador in United Kingdom, a role that allowed him to lobby the political class and the press on behalf of the cause of Italian patriots forced in the prisons of Kingdom of the Two Sicilies. The article describes the multifaceted library activity carried out by Panizzi at the British Library, of which he became Principal Librarian in 1856. Panizzi is considered to be the first Promethean Librarian of the 19th century, a great reformer with new ideas on library services, innovative methodologies, and working practices in librarianship. Panizzi rigorously carried out the activity of librarian at the British Library without ever forgetting the need for a free, unified, and democratic Italian state. 相似文献