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1.
Various studies report that cultural journalism increasingly focuses on service and entertainment instead of serious arts coverage. The press prioritizes popular culture over traditional high arts to a growing extent. However, this shift in journalistic attention does not necessarily signify a straightforward decline in aesthetic standards, as popular cultural forms like film have developed along the lines of high art principles in the past decades. This article charts trends in American, Dutch, French, and German film journalism between 1955 and 2005. It demonstrates that coverage is typified by a serious aesthetic approach from the 1970s onwards. The principles of art are seen to steer journalists’ attention to an important degree: the review remains the predominant journalistic genre, and newspapers devote more attention to films by prestigious directors than strictly commercial moviemakers. As such, film’s prominence in the press does not seem to indicate a decline in serious cultural journalism but rather a revaluation of a popular cultural form. 相似文献
2.
Christoph Raetzsch 《Media History》2015,21(3):294-312
Objectivity has been regarded as a central ideal of American journalism in the early twentieth century. The concurrent emergence of photography in the press is rarely associated with this development. The article explores the photographic legacy of journalistic objectivity by discussing a crucial phase in the development of reproduction media for images, the transition from wood engravings to halftones. The former was the dominant mode of ‘illustrated journalism’, the latter became the dominant mode of reproducing photojournalism in print in the twentieth century. The halftone process introduced an equivalence between photographs and their reproductions, obliterating the mediation that had taken place in a code of reproduction that was almost imperceptible. In the contested adoption of the halftone process, it is argued, a shifting valuation of photographs can be observed that prefigures the formulation of objectivity as a transparent code of mediation in journalism. 相似文献
3.
Subin Paul 《Journalism Practice》2018,12(5):526-542
With the increasing penetration of mobile phones and the internet in India, citizen journalism has experienced a steady growth in recent years. This paper adds to the growing scholarship on citizen journalism by exploring the motivations of Indian citizen journalists to produce online news content. Through a Web-based survey of citizen journalists (N?=?134) contributing to the leading news portals in India, this study addresses the role of traditional media experience among citizen journalists’ reporting practices. One of the key findings of this study is that, unlike American citizen journalists, Indian citizen journalists who have not worked in traditional media are less likely to work collaboratively than those with traditional media experience. 相似文献
4.
Rachel Buchanan 《档案与原稿》2018,46(1):18-39
Germaine Greer’s print journalism forms a significant portion of her archive. It needs to be reassessed and recognised as having equal value to her other types of writing. Greer’s journalism powers much of this major archive and it is important to acknowledge that this archive is as much a journalist’s one as it is the archive of a feminist, a performer or a literary scholar. Greer’s own methodical creation and re-creation of her print journalism legacy into a series of records in the Greer Archive is also an implicit argument for the value of her ‘smalls’. As a recordkeeper, she has gathered up ‘the madwoman’s underclothes’, the hundreds of articles published around the world. 相似文献
5.
新世纪美国新闻学教育面临的挑战 总被引：4，自引：0，他引：4
进入新世纪后 ,美国新闻学 /大众传播学教育面临诸多挑战 ,核心是如何组织、管理新闻学 /大众传播学教育 ,作者列出了美国新闻学 /大众传播学教育的几种主要模式 ,并认为新闻学 /大众传播学教育不会在美国消退 相似文献
6.
Ryan Linkof 《Media History》2013,19(2):107-125
This essay closely analyzes the 1936 British film Sensation, directed by the eccentric queer filmmaker Brian Desmond Hurst. The film participated in an extensive and heated debate about intrusive and ‘sensational’ press practices that erupted in the 1930s. In his cinematic version of events, Hurst made sensational journalism seem like an exciting, if morally dubious, part of modern life—a news form that satisfied a basic human desire to learn about the private lives and hidden secrets of other people. This essay shows how Sensation, in its ambivalent relationship to this fraught cultural issue, reveals some of the complexities of interpreting queer filmmaking before the advent of a self-aware and politicized ‘queer film.’ It argues that intrusive journalism was of interest to Hurst precisely because it engaged with issues at the core of queer identity—exposure, revelation, privacy, and criminality—before the decriminalization of homosexual acts. 相似文献
7.
In light of the media industry’s growing focus on audience engagement, this article explores how online and offline forms of engagement unfold within journalism, based on a comparative case study of two American public media newsrooms. This study addresses gaps in the literature by (1) examining what engagement means for public media and (2) applying the concept of reciprocal journalism to evaluate the nature of reciprocity (direct, indirect, or sustained) in the give-and-take between journalists and their communities. Drawing on direct observation and in-depth interviews, this article shows how this emerging focus on engagement is driven by public media journalists’ desire to make their relationship with the public more enduring and mutually beneficial. We find that such journalists privilege offline modes of engagement (e.g., listening sessions and partnerships with local organizations) in hopes of building trust and strengthening ties with their community, more so than digital modes of engagement (e.g., social media) that are more directly tied to news publishing. Moreover, this case study reveals that public media organizations, in and through their engagement efforts, are distinguishing between the communities they cover in their reporting and the audiences they reach with their reporting. 相似文献
8.
Abigail C. Saguy 《The Communication Review》2013,16(2):109-141
This article documents and accounts for important differences in press coverage of sexual harassment in the United States and France. Compared to French press coverage, American reporting on sexual harassment has been much more extensive and more likely to focus on domestic sexual harassment scandals involving political individuals or institutions. This is attributed largely to the American press greater reliance on business, greater journalistic freedom, stronger traditions of investigative journalism, as well as more inclusive legal definitions of sexual harassment. While silent on French scandals, due to global political realities, the French press has reported extensively on American sexual harassment scandals and has been more dismissive of the problems of sexual harassment and (American) feminist activists when reporting on the United States. This article further analyzes how each press has framed the problem of sexual harassment and how such framing varies by story and over time. 相似文献
9.
Jingrong Tong 《亚洲交流杂志》2015,25(6):600-616
This article examines how journalists defend their boundaries and epistemic authority in the face of the challenges from user-generated content (UGC). It investigates the issue through exploring 51 Chinese journalists’ views of UGC producers and journalism. The interviews reveal that in this case study, Chinese journalists’ commitment to their social identity as ‘people of work units’ (danwei ren), i.e. their identity is defined by the employment relationship between journalists and news organisations, forms the ground of demarcating the boundaries between journalists and UGC producers. As a result, this group of Chinese journalists reinforces their conventional journalistic norms and identity as ‘organisational men/women’ and keeps old-fashioned journalism alive. In the meantime, however, they are aware of changes in the environment within which they practice, and therefore they reflect on their work and (re-)define what journalism is in order to adapt to the changes. This case study shows that the boundary work of Chinese journalists interviewed in the study and their understanding of boundaries are contextually bound. The boundary work of journalism is not only about defence but also about adaptation. It offers a perspective for understanding both continuity and change in the transformation of Chinese journalism as well as the boundaries of journalism in general. 相似文献
10.
This paper reports the results of a content analysis of five newspapers selected from the Chinese daily press. The research was conducted as part of an international project designed to explore the relationship between journalistic self-conceptions and journalistic practice. This paper reports only upon journalistic practice, in particular the extent to which different models of journalism are present. The results of the analysis demonstrate, firstly, that while the concept of a uniform ‘national media system’ is of some utility in comparative studies, there are, even in the highly structured Chinese case, very significant differences within a single country. Secondly, it demonstrates that the common division of the Chinese press into a politically oriented party press and a market-oriented commercial press is inadequate to explain the identifiable differences between titles in the sample. A four grouping solution fits the data much better and demonstrates that there are newspapers that combine strong evidence of indicators of the party press with strong evidence of indicators of the commercial press. As a consequence, the claim that marketization will necessarily lead to conflicts with the party appears to be mistaken. 相似文献
11.
ABSTRACTThis study explores how two nonprofit media organizations–PublicSource and Philadelphia Community Access Media (PhillyCAM)–have transformed their legacy practices to better connect within and serve marginalized populations in Pittsburgh and Philadelphia, PA. As traditional newsrooms have been depleted by dire financial realities, new journalism outcroppings have heeded the Knight Commission’s Informing Communities: Sustaining Democracy in the Digital Age (2009) report and, consequently, revised their approaches to community engagement. Adjacent to these reformed legacy newsrooms are community media organizations that operate a municipality’s public, educational, or government (PEG) access media production facilities. Although PEG access media’s legacy has no clear genealogical ties with traditional journalism, an increasing amount of PEG operations over the past ten years have started to intentionally test editorialized forms of community news reporting. The data collected and assessed in this study has indicated that news organizations like PublicSource have an explicit need to do more relational community engagement work that will enable it to fill hyperlocal information gaps and better serve marginalized populations. Community media organizations like PhillyCAM have extensive experience engaging diverse publics; however, as this study reveals, they could benefit from employing formalized news production methods that are guided by journalistic standards. 相似文献
12.
Dora Santos Silva 《Journalism Practice》2019,13(5):592-601
In January 2013, Peter Bradshaw, a film critic for The Guardian, said that Twitter users had become the favourite “critics” of the film industry. The implicit concern in this article on a subject dear to cultural journalism—“Would be criticism bankrupted when we are all ‘critics’ on the Web?”—became evident in the following years. It is pertinent, then, to explore the media answer not only to this subject but both to sourcing and expertise in general in the culture section. Did they embrace these new news sources (and which) that emerged in the digital environment, such as the reader, blogs or artists tweets? Assuming the first hypothesis, how did they include them in their editorial model, alongside with the “traditional” experts and sources? We conducted a content analysis to the culture section of an international media—The Guardian—between 2014 and 2016 (n?=?992), identifying the role of what we would like to call digitally empowered sources and the presence of new “experts” in cultural criticism. We concluded that these digitally empowered sources play an important role in the overall editorial, business and engagement media's strategy and are deeply engaged with a new digital feature: hypertextuality. New patterns of expertise also reflect an editorial positioning supported in an engagement strategy and in the recognition of the readers’ added value to content. 相似文献
13.
Anna Grøndahl Larsen 《Journalism Practice》2017,11(7):893-908
Children’s status as a particularly vulnerable group in society implies a journalistic obligation to shed light on children’s stories and listen to their perspectives, but their vulnerable position also means they deserve protection from potentially harmful news coverage. Based on a close-reading of two extensively covered news serials concerning irregular migrant children facing deportation, and on in-depth interviews with journalists, editors, and key actors working on behalf of irregular migrant children, the present article sheds light on how journalists balance competing, ethical, professional, and organizational concerns when reporting on issues concerning children. The article shows that while journalists say they are aware of the ethical aspects concerning extensive media exposure of young children, they justify the reporting by foregrounding children as innocent victims of the immigration system and by highlighting the journalistic obligation of shedding light on the wrongdoings of this system. The potential burden of media exposure is relativized as less harmful than the alternative—deportation. Theoretically, the article contributes to the literature on children in the news media, human-interest stories and journalism, and the role of journalism reporting vulnerable groups. 相似文献
14.
Michael Serazio 《Journalism Practice》2020,14(6):679-696
ABSTRACT As traditional news outlets decline and corporations cultivate publisher ambitions, brand journalism (i.e., native advertising and content marketing) has grown robustly. This paper examines and critiques the various ways in which those corporations have adopted and mirror news production practices, given the “techno-logics” of convergence culture and the political economy pressures of our media era. The research draws upon 28 in-depth interviews with brand journalism professionals who operate in the United States along with years of trade press coverage of the phenomenon. Findings illustrate how brand journalism is informed by traditional reporting fundamentals and techniques, the affordances and demands of online environments, and industrial shifts in media labor allocation. 相似文献
15.
Krishnan Vasudevan 《Journalism Practice》2019,13(2):229-246
Visual journalists were early adopters of DSLR cameras as a technology for the production of video journalism. While early DSLR cameras used by visual journalists were capable of capturing high-definition moving images with superior quality when compared to smaller sensor video cameras, they were designed for photography and thus presented several challenges in the context of filmmaking. DSLR cameras are often rigged with additional stabilization, audio recorders, or specialized lens in order to optimize their functions for video production. This study employs Bourdieu’s constructs of the field and habitus in confluence with the social construction of technology to examine how visual journalists reimagined DSLR cameras as video cameras and how this construction informed their professional practice and filmmaking style. Based largely on nine in-depth interviews with visual journalists who produce video journalism, this study presents how the employment of DSLR cameras informed entirely new habitus and cinematography styles while also supporting existing video journalism conventions. More experienced participants described their experiences in the context of transition, while participants early in their careers described the DSLR as part of their professional distinction. 相似文献
16.
《Journalism Practice》2013,7(2):138-152
In an era of fast and instantaneous journalism and concerns about the deleterious effects of speed, it can be easy to lose sight of the other kinds of journalism being practiced, other temporalities for its production. There has been little scholarly work on slow journalism, so the first aim of this article is, if not to define, then at least to describe some key characteristics of what slow journalism might be. It will look at how the term has been used on blogs, websites, public forums, and in the minimal scholarly literature available. It will also explore some examples by producers who identify with the term to see what slow journalism looks like in practice. The proliferation of independent journalism using Slow as a way of thinking about production suggests that we are witnessing a new alternative emerging in the mediascape. 相似文献
17.
以詹姆斯·凯瑞的讨论为源头,兴起于20世纪70年代的新闻史观变革运动推动了美国新闻史研究走出辉格式的、线性的、进步的传统范式。大卫·诺德延续了凯瑞的新闻文化史路径,将其进一步聚焦到以阅读史为代表的新闻机制史的范畴中。他的《新闻的共同体》重新定义了“新闻”与“新闻史”的内涵,从“生产的共同体”和“接收的共同体”两个维度阐发了北美新闻传统中的共同体精神。他的新闻史研究试图将文学批评、历史学、传播学、社会学等融合在一起,建立一种兼顾人文主义和社会科学的新的关于传播的历史。由于他的新闻史观是地方性的,国内研究借鉴时要注意可行性和合理性。 相似文献
18.
Keith M. Johnston 《Media History》2013,19(4):377-388
Through an analysis of the first British television ‘trailers’, this article explores an intersection within media history where the film industry attempted to reach out and utilise the new dissemination medium of television. Whilst this moment could be read as an attempt to control the promotion of film on British commercial television, and impose American film trailer aesthetics on the ‘rival screen’, I explore the television trailer as an early cross-media text that offered a challenge to existing trailer structure and style. By focusing on the recreation of these lost texts through trade press commentary, the article provides a new perspective on industry attitudes, media technology and media relationships in this transitional moment. 相似文献
19.
Willa McDonald 《Journalism Practice》2020,14(1):34-47
ABSTRACTDeception is a key element of immersive undercover journalism, achieved through the omission of information, the perpetuation of misconceptions, or possibly the assumption of a false identity. Usually when proponents defend going undercover, they use the-ends-justify-the-means arguments; that despite the journalist’s duplicity, public benefit outweighs the dishonesty that lies at the heart of the practice. Yet, such statements are usually made in the absence of in-depth theoretical analysis. This paper seeks to redress this by applying Standpoint Theory, testing it against the work of Günter Wallraff, Germany’s lauded but controversial undercover journalist who uses disguises to report on that country’s marginalized and disadvantaged. While the authors applaud Wallraff’s exposure of the deplorable illegal and immoral dealings he uncovers, and do not seek to dismiss the significant results he has achieved, this paper uses the case study of his work to test the applicability of Standpoint Theory to undercover journalism, concluding that even under this accommodating theory, there may be ethical limits to journalism’s most ethically contentious practice. 相似文献
20.
Karen McIntyre 《Journalism Practice》2019,13(1):16-34
The media contribute to compassion fatigue—or public apathy toward human tragedy—in part by failing to present solutions to the social problems ubiquitous in today’s conflict-based news coverage. Some journalists have attempted to address this issue through a style of news labeled solutions journalism. This experiment tests the effects of this increasingly popular approach. Results revealed that discussing an effective solution to a social problem in a news story caused readers to feel less negative and to report more favorable attitudes toward the news article and toward solutions to the problem than when no solution or an ineffective solution was mentioned. Reading about an effective solution did not, however, impact on readers’ behavioral intentions or actual behaviors. This suggests that solution-based journalism might mitigate some harmful effects of negative, conflict-based news, but might not inspire action. 相似文献