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《Journal of Radio & Audio Media》2013,20(1):30-49
Various radio and pulp incarnations of The Shadow have played a pivotal role in shaping American superhero mythology and cultural unconscious. This essay explores The Shadow's origins within the 1930s, and then utilizes Fantasy Theme Analysis to uncover mythic tensions and conflicts within The Shadow's transition from noir-like dystopian antihero into the more romantic utopian superhero of Orson Welles' 1937 radio program. We conclude by contemplating rhetorical implications for The Shadow's “symbolic divergence,” a fantasy evolving into contradictory counter-fantasies and rhetorical visions in radio and pulps, as a provocative illustration of theoretical debates regarding the psychodynamic functions of rhetorical fantasy. 相似文献
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《Journal of Radio & Audio Media》2013,20(1):151-164
During radio's reign on the airwaves, classics and legends were sources for radio plays written for a wide audience. Scriptwriters realized radio's cultural importance and culled classics for material that pushed their conception of “high” culture but still satisfied a wide audience. Radio plays were adapted from William Shakespeare's plays, Edgar Allan Poe's short stories, Geoffrey Chaucer's The Canterbury Tales, and Robin Hood's legend. This study covers radio adaptations of Robin Hood broadcast between the 1930s and 1970s: Popeye (1939); Buster Brown (1948); Family Theater (1949); the children's theater program Let's Pretend (1954), Escape (1952), Gunsmoke (1955); and Crisis (1975). 相似文献
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Ted Sennett Leif Furhammar Folke Isaksson Peter Cowie Roy Armes Gordon Gow 《Communication Booknotes Quarterly》2013,44(4):2-3
Ted Sennett's Warner Brothers Presents: The Most Exciting Years--From "The Jazz Singer" to "White Heat" (New Rochelle, N.Y.: Arlington House, 1971---$11.95) Leif Furhammar and Folke Isaksson's Politics and Film (New York: Praeger, 1971---$12.50) Peter Cowie (ed.) The Concise History of the Cinema: Volume I, Before 1940. (Cranbury, N.J.: A.S. Barnes, 1971---$3.50, paper) Roy Armes' The French Cinema since 1946: Volume I, The Great Tradition (Cranbury, N. J.: A.S. Barnes, 1970---$2.95, paper) Gordon Gow's Hollywood in the Fifties (Cranbury, N.J.: A.S. Barnes, 1971---$2.95, paper) Edward Wagenknecht's The Movies in the Age of Innocence (New York: Ballentine, $2.95, paper) Thorold Dickenson's A Discovery of Cinema (New York: Oxford University Press, 1971---$8.50 with a paperback edition available) Rachael Low's classic History of the British Film (London: Allen and Unwin, 1971---price not known) Bob Thomas' The Heart of Hollywood: A 50-year Pictorial History of the Film Capital and the Famed Motion Picture and Television Fund (Los Angeles: Price/Stern/Stern, 1971---$7.95) Bob Harmon's Hollywood Panorama (New York: Dutton, 1971---$3.95, paper) 相似文献
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《Journal of Radio & Audio Media》2013,20(1):80-92
In the 1950s, television knocked radio off its pedestal as the primary electronic entertainment in the home and forced the radio industry to find new ways to compete. In Memphis, Tennessee, WHER went on the air in 1955 as an early experiment in all-women's programming. Located at 1430 on the AM dial, WHER featured a female on-air staff, but it was owned by three businessmen: Sam Phillips of Sun Records, Roy Scott, and Kemmons Wilson, the founder of Holiday Inn. WHER called itself "a thousand beautiful watts." The Memphis Sunday Times heralded it as "the nation's first successful all- girl station." 相似文献
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Marcus A. Hill 《Critical Studies in Media Communication》2016,33(4):366-380
Essence magazine is the longest operating magazine catering to a predominately African-American women audience in the US. In 2000, media conglomerate Time Warner purchased 49% of Essence parent company Essence Communications Inc. In 2005, Time Warner purchased the remaining 51% of the black-owned company. As a media conglomerate, Time Warner owns major publishing houses, film, and television production companies, including 130 magazines, New Line Cinema, CNN, and HBO. Essence states it is “the voice and soul of Black women” Collins [Collins, P. H. (2000). Black feminist thought: Knowledge, consciousness, and the politics of empowerment. New York, NY: Routledge] argues that black women must speak in their own voices in order to reject prevailing stereotypes operating on the bodies of black women. The mission statement of Essence aligns itself in what Collins calls “safe spaces” for black women to self-define themselves and articulate their lived realties. A critical theoretical framework allows uneven power relations to be examined and offers emancipatory perspectives. The goal of this study is to examine if Time Warner’s purchase of Essence has caused a shift in the voice and content of this magazine. 相似文献
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《Journal of Radio & Audio Media》2013,20(1):165-180
This article critically examines the golden age radio mystery-thriller genre in order to rectify the history of the horror genre and contribute to the history of radio horror. An excavation of the mystery-thriller's generic roots and an analysis of the program Dark Fantasy illustrate how this genre included, but was not limited to, horror. It offered a broad variety of narrative types that are not addressed in histories of the horror genre or radio horror. Such generic and narrative diversity suggests fruitful connections with radio's science fiction, noir, and mystery genres, and with fantastic television anthologies like The Twilight Zone. 相似文献
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Jennifer Stoever 《Journal of Radio & Audio Media》2019,26(1):119-133
“Black Radio Listeners in America’s “Golden Age’” argues that U.S. black listenership has been all but ignored in radio scholarship regarding the 1930s-1950s, as has the context of America’s racial segregation and radio’s active role in affirming and propagating it. The essay argues for an expanded understanding of archive and archival methodology in order to gain a more complex, accurate, and varied understanding of historical black listenership, and, toward that end, performs culturally contextualized close textual analysis across media: a 1937 Lead Belly song (“Turn Yo’ Radio On”), Joe Bostic’s column for The People’s Voice in the 1940s, Frederic Wakeman’s 1946 novel The Hucksters, a 1949 feature on black listeners in Sponsor magazine, a 1934 Vitaphone Short featuring Cab Calloway, and Ann Petry’s 1946 novel The Street. Through engaging with widely-varied representations of black radio listenership, Stoever argues that black listening practices from this period not only challenge the periodization of this era as the “Golden Age” of American radio, but also upend traditional categories of active, passive, and “resistant” listening that scholars have employed to understand media reception, revealing that active listening can look and sound different for black listeners, particularly in a period when listening “actively” to segregated media in ways prescribed by the dominant culture often proved to be deleterious. The act of “turning one’s radio on” was a complicated act of agency for black listeners, not simply a passive form of ignorance, escape, and/or anesthetization as popularly represented. 相似文献
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In a review of Hans Fallada’s novel Alone in Berlin—finally translated into English after 62 years—Sam Jordison stated, “[I]t’s an important book that no English writer could have written—and so another resounding argument for the importance of taking in translations. It makes me wonder what else we’ve been missing.” Translated fiction plays a minimal role in the UK. Scholars are increasingly directing their attention towards this deficit. This paper will consider the culture of translation in the UK and Ireland, with a particular focus on translated German fiction.
相似文献10.
Lu Zheng 《Journal of Radio & Audio Media》2014,21(1):36-50
This study examined the impact of 3 individual traits—namely need for cognition, vivid mental imagery ability, and transportability—on one's psychological transportation and ensuing belief change subsequent to listening to a narrative radio advertisement. The study demonstrated that both vivid mental imagery ability and transportability tend to significantly influence one's degree of transportedness. Moreover, the study showed that a higher degree of transportedness leads to a more potent persuasive impact on one's affective and conative responses to narrative radio advertising. 相似文献
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Harold E. Fellows 《广播与电子媒介杂志》2013,57(3):209-219
This episode in the history of frequency modulation radio broadcasting is part of a continuing series in the Journal of Broadcasting composed of verbatim extracts from Federal Communications Commission Annual Reports. Previously published installments in this series have included: “The Evolution of Television: 1927–1943” (Summer, 1960); “The Evolution of Television: 1944–1948” (Winter, 1960–61); “The Evolution of FM Radio: 1935–1940” (Spring, 1961); and “The Evolution of FM Radio: 1941–1946” (Fall, 1961). 相似文献
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Nicola Goc 《Media History》2013,19(3):322-336
In 1941 Australian tabloid journalist Dorothy Gordon Jenner was caught up in the Japanese siege of Hong Kong and was incarcerated in the Stanley Internment Camp. During her internment Jenner kept a clandestine record of daily life written in pencil on Bronco brand toilet paper and kept hidden in the heels of her shoes. To date her fragmented diary and notes have defied analysis. This paper provides a reading of Jenner's personal wartime testimonio through the frame of tabloid journalism to expose how the tabloid genre—Jenner's stock-in-trade as a journalist before the war—became the framework for her personal testimony during World War II. By interpreting Jenner's private diary and notes as testimonio journalism this paper exposes the flow of the tabloid vernacular style of journalism between private and public discourses. 相似文献
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《Cataloging & classification quarterly》2013,51(3-4):3-33
This paper identifies the text of Dr. Andrew Osborn's 1941 "The Crisis in Cataloging" as a place where a shift in the shared set of assumptions governing cataloging rules and practices occurs. Cataloging from 1930-1942 was in a state of change and confusion. Existing guidelines of 1908 Cataloging Rules, the draft being revised which was to become the 1941 Anglo-American Code, and Library of Congress cards and practices all proved to contribute to the difficulties in cataloging rather than remedy them. Dr. Osborn functioned as a "gatekeeper" who understood and integrated the available intellectual discourse on American Pragmatism and introduces it to Librarianship. "The Crisis in Cataloging" articulates what the theoretical presuppositions are of the then-available guidelines, and explains the erros of their consequences. It is possible to identify in "Crisis" the introduction of four specific conceptual changes which become a part of the discourse and shared assumptions of cataloging. Each concept is shown to be possible because of ideas, values, and ways of thinking introduced by the philosophy of American Pragmatism. 相似文献
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Rufus P. Turner's The Illustrated Dictionary of Electronics (Blue Ridge Summit, Pa.: TAB Books, 1980---$19.95/14.95) Sam Fedida and Rex Malik's The Viewdata Revolution (New York: John Wiley, 1980--- $34.95) The latest from the Harvard Program on Information Resources Policy (200 Aiken, Harvard University, Cambridge, Mass. 02138) 相似文献
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George Rehrauer Bab-bars Anne Price Theodore Price Dennis R. Bohnenkamp Sam L. Grogg Jr. Ian C. Jarvie 《Communication Booknotes Quarterly》2013,44(11):175-180
George Rehrauer's Cinema Booklist: Supplement Two (Metuchen, N.J.: Scarecrow Press, 1977– $15.00), a 482 page update to the main volume (1972–see 4:1:9) Bab-bars Anne Price and Theodore Price, Federico Felini: An Annotated International Bibliography (Metuchen, N.J.: Scarecrow Press, 1978—$11.00). Dennis R. Bohnenkamp and Sam L. Grogg Jr., eds. The American Film Institute Guide to College Courses in Film and Television (Princeton, N.J.: Peterson's Guides, 1978—$9.75, paper) Ian C. Jarvie's Movies as Social Criticism: Aspects of their Social Psychology (Metuchen, N.J.: Scarecrow Press, 1978—$10.00) Robert Stanley's The Celluloid Empire: A History of the American Motion Picture Industry (New York: Hastings House, 1978—$15.75/7.95) Richard Koszarski, ed. Hollywood Directors 1941-1976 (New York: Oxford University Press, 1977—$4.95, paper) Andre Bazin's Orson Welles: A Critical View (New York: Harper & Row, 1978— $10.00) James Naremore's The Magic World of Orson Welles (New York: Oxford University Press, 1978—$15.95) Paul Michael's The Academy Awards: 50th Anniversary Edition (New York: Crown, 1978— $14.95) James Beveridge's John Grierson, Film Master (New York: Macmillan, 1978— $17.95) John McCabe's Charlie Chaplin (New York: Doubleday, 1978—$10.00) Leonard Maltin's The Great Movie Comedians, From Charlie Chaplin to Woody Allen (New York: Crown, 1978—$10.95) S. C. Earley An Introduction to American Movies (New York: New American Library Mentor Books, 1978—$2.25, paper) Ron Haydock's Deerstalker! Holmes and Watson on Screen (Metuchen, N.J.: Scarecrow Press, 1978—$12.50) Matthew J. Bruccoli, ed., F.Scott Fitzgerald's Screenplay for Three Comrades (Carbondale: Southern Illinois University Press, 1978—$10.00/3.95) 相似文献
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Stuart Cooney 《广播与电子媒介杂志》2013,57(1):25-31
What people say they do and what they actually do may be two different things. Peter E. Mayeux explores the functions of three television critics, both as stated by them and as manifest in their writings over a period of time. This article, a companion to the author's “Stated Functions of Television Critics” (Journal of Broadcasting, Vol. 13, No. 1), originally was prepared as a portion of an M.A. thesis completed under the direction of Dr. Sam Becker at the University of Iowa. Mr. Mayeux has taught recently at the University of Southwestern Louisiana. 相似文献
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Harold Niven 《广播与电子媒介杂志》2013,57(4):353-380
The possibility that one mass medium might be used to stimulate another has been only imperfectly explored. For instance, a campaign by radio personality Jean Shepherd some years ago led to the birth of the monumental spoof that was the novel I, Libertine by “Frederick R. Ewing.” The delight of Shepherd's “night people” at being able to demonstrate their numbers was matched by the consternation of booksellers all over the city who impotently thumbed through their catalogs . . . until Shepherd took pity on them and arranged for the book to be written and published. In another instance, a participant on a late‐evening network program casually commented on a book that had caught his eye—and it was a national best‐seller within 24 hours. The research reported in the following article attempts to discover whether this “touting” function of the broadcast media can be used systematically. A number of informal observations following “book review” or “library” programs on both radio and television would tend to support this idea. However, the following study was specifically designed to generate data that would demonstrate to broadcaster and librarian alike whether radio programs could be used by librarians (and presumably booksellers as well) to promote selection by the audience of pre‐determined books. 相似文献
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Many characters in entertainment content behave in morally questionable ways at least some of the time. However, the negative effects of those behaviors on individuals’ judgments of the character may be diminished in some instances. This study examined the effects of character motivation and outcome in a written narrative on character perceptions and moral disengagement. The findings of a 2 (motivation: altruistic, selfish) × 2 (outcome: positive, negative) experiment (N = 123) revealed that both motivation and outcome affect perceptions of the character's positive and negative attributes, character liking, and moral disengagement. Specifically, altruistic motivations and positive outcomes led to more favorable perceptions of a character's attributes, greater character liking, and more justification of the character's actions. Furthermore, moral disengagement mediated the effects of motivation and outcome on perceptions of characters' positive and negative attributes, and in turn positive attributes mediated the effect of moral disengagement on character liking. Implications for future entertainment research are discussed. 相似文献
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Harry Castleman Walter J. Podrazik Edwin Goodgold Dan Carlinsky Irwin Stambler Kristin Baggelaar 《Communication Booknotes Quarterly》2013,44(7):81-82
Harry Castleman and Walter J. Podrazik (eds.) All Together Now: The First Complete Beatles Discography 1961-1975 (New York: Ballantine Books, 1976—$5.95, paper) Edwin Goodgold and Dan Carlinsky's The Complete Beatles Quiz Book (New York: Warner Books, 1975—$1.25, paper) Irwin Stambler's Encyclopedia of Pop, Rock and Soul (New York: St. Martin's Press, 1976—$6.95, paper) Kristin Baggelaar and Donald Milton's Folk Music: More than a Song (New York: T.Y. Crowell, 1976—$14.95) Cole Porter: A Musical Anthology (New York: Chappell Music Co., 1976—$14.95) David Reck's Music of the Whole Earth (New York: Scribner's, 1977—$19.95/9.95) 相似文献