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廖柳青 《语数外学习(高中版)》2013,(8):7
在高中语文教学中,古典诗歌是培养学生文学趣味和文学素养的最佳媒介之一,但是不少学生认为它们只是需要背诵的内容,因而缺乏学习古典诗歌的兴趣,甚至对其望而却步。这就需要广大语文教师探开展究古典诗歌教学的有效方法,使学生积极参与到古典诗歌的学习中,进而提升自己的文化素养。 相似文献
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本文力求从诗歌教学的角度,探究在新课程标准的要求下如何培养学生的自学能力.笔者结合自身教学实践指出:调动兴趣,激发自学潜能是培养学生诗歌自学能力的前提;对接情感,培养感悟能力是培养学生诗歌自学能力的重点;转化知识,培养拓展能力则是培养学生诗歌自学能力的关键.并最终指出培养学生诗歌自学的能力,就是要使学生形成良好的诗歌学习习惯,提升审美情趣,诗意地栖息生活. 相似文献
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<正>诗歌是文学艺术体裁之一,而古诗中大量的精品是中华民族精神文化的瑰宝。在高中教材中有很多优秀的诗歌,加强对这些诗歌的学习,对于培养学生的审美情趣和情感均有非常重要的意义。但是目前高中课堂诗歌的阅读教学功利性过强,学习的目标就是分数,教师在课堂中重点讲解诗歌的表现手法和鉴赏方法,不注重学生的情感体验,学生掌握的只是做题的方法,其思 相似文献
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根据职高学生语文基础较差、学习兴趣不高的特点,职高语文教学中的诗歌教学应有别于普高,要有自己的特色。在学习诗歌的过程中,主要是激发学生学习诗歌的兴趣,培养学生的道德修养,辅以适当的教学方法,这样才能愉快而轻松地完成诗歌教学。 相似文献
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<正>古典诗歌的学习鉴赏在学生性格的塑造、情操的陶冶及文学素养的培养等方面发挥着重要作用。通常情况下,初中阶段是学生开始接触大量古典诗歌的学习阶段,在此过程中,教师的科学指导尤为重要。因此,教师在教学过程中,应借助科学的教学理念,推动学生开展古典诗歌的学习教育活动,使其语文综合素养得到全面发展。 相似文献
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张高佑 《内江师范学院学报》2010,25(Z1)
为了让学生走进诗歌美妙的艺术殿堂,教师在教学过程中,应激发学生学习诗歌的兴趣,真正培养学生诵读诗歌的能力,品味诗歌语言,从而使学生掌握诗歌语言、意境、内涵. 相似文献
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以学生为主体的教学方法在英语诗歌教学中内涵丰富。然而,由于学生对英语诗歌缺乏认识,实用主义,以及传统教学模式的不足导致了英语诗歌教学的质量不高。因而鼓励学生进行诗歌创作,在课堂上参与诗歌的学习讲解过程,有助于提高学生欣赏和应用能力,充分发挥学生的主观能动性,开创应用型英语诗歌教学新境界,真正为建设和提升应用型本科院校大学生的人文内涵服务。 相似文献
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王伟 《外语教学理论与实践》2013,1(2):79-82
在英美文学的教学中,英语诗歌是一个难度较大的课程。由于教学方法的陈旧与教学手段的落后,使得英语诗歌的教学很难激发学生学习的主动性,英语诗歌的教学效果不甚理想。将高度发达、丰富的网络信息资源与读者反应教学法整合,形成一种激发作为读者的学生对英语诗歌的文本反应, 从而调动其个人的经历与情感的教学实践模式,对英语诗歌的教学起到了积极推动作用,同时达到培养学生英语诗歌鉴赏力与文学批评能力的目的。 相似文献
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发掘古诗词的语言美、意境美、文化美,有利于打造丰富多彩的古诗词教学课堂,能让学生感受古诗词的魅力,提高学生学习兴趣。教师在古诗词教学中不仅要带领学生品味诗人遣词造句的精妙,还要创设教学情境,丰富学生想象,加深学生对古诗词的理解。文章结合教学实践,对突破古诗词教学难点提高学生学习兴趣进行论述。 相似文献
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邓安琪 《黑龙江教育学院学报》2012,31(4):111-112
高等院校的外国文学诗歌教学一直以来都是一个难点,但在实践中,可以通过对东西方的文学中的诗歌作品进行对比分析,达到优化高校英语专业文学课程的教学效果。比较英国史诗《贝奥武夫》和中国最早的诗歌总集《诗经》,证明可以通过在外语文学学习者的母语文学作品中找到相对应的代表性的作品,并与所学目标文本进行比较分析,增加学生与两种文本文化之间的互动沟通,可以提高英美文学诗歌的教学质量,更好地培养学生的文学素养和研究素质。 相似文献
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目前高校英语专业英语诗歌教学过程中,存在着学生理解和欣赏困难,诗歌教学枯燥乏味等诸多问题。要解决这些难题,可以从英诗教学活动中诗歌素材准备和改善学生诗歌学习心理方面入手,继承传统诗歌教学的精华,更要注重英诗教学理念和教学手段的革新。通过一些实用英诗教学方法的应用,改善英诗教学现状,使英语诗歌发挥其应有的功用。 相似文献
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This article reports on a participant‐centred research project with English teachers in a senior secondary college in Melbourne, Australia. It builds on previous research (Weaven and Clark 2009, 2011), which showed a low take‐up of the opportunities to teach poetry in Victoria's senior secondary English curriculum. This study explores the reasons why teachers of English are unwilling to use poetry texts in their senior classes. The teachers who participated in this study discussed and documented their attitudes towards the teaching of poetry and explored with each other the pedagogical challenges associated with teaching poetry. Their discussions – an analysis of which forms the empirical core of this article – reveal a range of explanations for teachers' reservations about offering poetry to their students. Importantly, these teachers were able to use professional discussion as a means to consider what changes in teaching practice could be successfully developed to facilitate more time spent on the teaching of poetry in senior secondary classes. 相似文献
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This article explores the changing place of poetry studies in the broader English curriculum of Victoria, Australia. Its focus is on how students learning to become English teachers engage with poetry studies. Setting this problem within the context of pedagogical theory and evidence about the evolving Victorian curriculum, we have interviewed six first‐year students to explore their perspectives on the study of poetry. A clear finding is that exposure to the study of poetry is very limited in Australia’s secondary school system. A more surprising finding is that students do not clearly recognize their exposure to poetry studies as such. 相似文献
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诗意化教学能够激励教师成长。用诗意化打造心理健康课堂教学,教师教学语言要诗意化,导语语言要精心打磨,评语语言让学生快乐;走进文本方式要诗意化;课堂对话层面要诗意化,采用教师引领、学生参与、环境契合等策略;课堂教学环节要诗意化,要精心设计课堂结构,仔细雕琢课堂导入,巧妙抓住重点难点,科学选择提问内容。 相似文献
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Sue Dymoke 《Changing English: An International Journal of English Teaching》2012,19(4):395-410
Undertaken during a period when changes in the assessment of English in public examinations at 16+ were becoming embedded in classroom practice, this comparative research explores where poetry is located within the newly aligned examination assessment frameworks of New Zealand and England. It comments on how these frameworks are locally interpreted by a sample group of English teachers in two culturally diverse cities. It identifies the challenges for assessment of poetry writing and retention of poetry study at examination level that are instantiated within these contexts. In investigating poetry’s location, key issues are highlighted about teachers’ perceptions of poetry, confidence and the support needed for examination level teaching of a genre that is in danger of becoming increasingly unfamiliar to many students. 相似文献
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This paper describes a bilingual‐bidialectal poetry writing programme set up in a community library in the southeastern United States for multi‐age learners. The authors explore the use of poetry as a vehicle for biliteracy development. The analysis draws on observations of the students’ engagement with poetry both in terms of their writing and the teachers’ responses. The paper discusses how poetry can inform a critical, multicultural approach to developing biliteracy in students of all ages and degrees of competence in written English. The authors theorise the role that poetry can play in creating positive learning environments for such students. 相似文献