共查询到20条相似文献，搜索用时 15 毫秒
1.
岑汶芪 《自然科学博物馆研究》2023,(3):36-46
基于共同创造的视角,对博物馆在观众参与的过程中,如何实现展览教育的创新发展进行探究。在共同创造的视角下,打开观众参与谱系的后三个阶段和参与创造性控制框架三个层次之间的“黑箱”,从而探索利用共同创造实现博物馆展览教育创新发展的过程模型。研究发现在观众参与谱系与参与创造性控制框架的各阶段特点和各层次特点会相互影响,最终形成一个动态的观众参与过程。这些分析细化后的共同创造的过程路径有利于博物馆展览教育的创新发展,也对我国博物馆展览中的观众参与的创新发展具有启发和指导意义。 相似文献
2.
从情报学角度看会展信息交流 总被引：1，自引：0，他引：1
会展是指在特定地域空间、一定时间段内,围绕特定主题,有多个人集聚在一起形成的集体性、和平性的政治、经济、文化、体育等社会活动。当今世界会展业正蓬勃发展,信息科学领域对会展的研究滞后于会展实践。会展从本质上说是信息交流的媒介和载体,它包含丰富的情报源,尤其是竞争情报;它有赖于信息技术,举办过程符合申农的信息传递模式,其中的信息交流与科学交流非正式过程吻合,其环境氛围与情报学“BA”理论相吻合。 相似文献
3.
周婧景 《自然科学博物馆研究》2019,(6):34-44
近年来,展览作为文献收藏机构信息利用和创新服务的一大亮点,以视觉化、生动性和体验感等特点吸引了广大受众,逐步成为其核心业务并呈现出广阔的发展前景。但不少展览仅是将文献直接作为展示对象或嵌套至通史展中,文献最具价值的内蕴信息并未获得解读、转化和呈现,导致展览在信息利用和创新服务上,收效实际并不显著。鉴此,本文将突破博物馆的研究边界,将不同收藏机构的文献展览作为研究对象,对散落至不同机构、不同学科的文献展览研究进行学术史爬梳,并于此基础上开展研究动态的分析和研究空间的寻绎,以期发现研究空间中可能的关键问题,主张引入博物馆展览领域的关联性研究,从博物馆学既有成果中获得有益启发,为聚焦与探讨文献展览共性问题奠定较为客观的基础。 相似文献
4.
史朝霞 《大学图书情报学刊》2022,40(1):127-131
文章从民国时期88种报刊文献产出的图书馆展览信息着手,整理展览的信息分布、时间分布、地区分布、机构分布等基础信息,分析图书馆展览的具体分类及对应特点,阐释图书馆展览具有加工、整合知识,鼓励求知精神;传播、扩散知识,促进文化交流;转化、应用知识,鼓舞民族情绪等整体作用,希望对当今图书馆展览及民国文献的整理开发与利用提供借鉴。 相似文献
5.
高校图书馆展览服务与校园文化建设 总被引：1，自引：0，他引：1
谈鹤玲 《图书馆工作与研究》2008,(4):87-89
本文依据全国高校图书馆展览服务情况的调查,提出改进高校图书馆展览服务的策略.为实现高校图书馆展览资源共事,在办展内容、形式、流程诸方面提出有针对性的建议. 相似文献
6.
? 现代科技馆体系发展“ 十四五” 规划(2021—2025 年) ? 高度重视实体科技馆建设、对科技馆展览创新提出高质量发展要求? 具有非常重要的指导意义和现实作用? 以广东科学中心展览研发创新实践为例? 从联合社会力量、建立研发机制、探索跨界融合、健全创新发展四个方面探讨科技馆展览展品研发高质量创新发展的新途径? 相似文献
7.
郑奕 《自然科学博物馆研究》2017,2(2):23-32
展览、教育作为博物馆的主要公共文化服务形式,得到了越来越多机构的日益重视。但由于科技博物馆在历史、观念、人才等方面的影响和制约,仍存在发展偏差和不足,其中最突出的是机构在理念上重展轻教,在实践中有展少(无)教或以展代教、展教分离等。本文将聚焦展教分离问题展开探讨,并就如何提升科技博物馆的展教结合水平,提出五大对策与建议。 相似文献
8.
Beverly Serrell 《Curator: The Museum Journal》1997,40(2):108-125
The amount of time visitors spend and the number of stops they make in exhibitions are systematic measures that can be indicators of learning. Previous authors have made assumptions about the amount of attention visitors pay to exhibitions based on observations of behavior at single exhibits or other small data samples. This study offers a large database from a comparative investigation of the duration and allocation of visitors' time in 108 exhibitions, and it establishes numerical indexes that reflect patterns of visitor use of the exhibition. These indexes—sweep rate (SRI) and percentage of diligent visitors (%DV)—can be used to compare one exhibition to another, or to compare the same exhibition under two (or more) different circumstances. Patterns of visitor behavior found in many of the study sites included: (1) visitors typically spend less than 20 minutes in exhibitions, regardless of the topic or size; (2) the majority of visitors are not “diligent visitors”—those who stop at more than half of the available elements; (3) on average, visitors use exhibitions at a rate of 200 to 400 square feet per minute; and (4) visitors typically spend less time per unit area in larger exhibitions and diorama halls than in smaller or nondiorama exhibitions. The two indexes (SRI and %DV) may be useful measures for diagnosing and improving the effectiveness of exhibitions, and further study could help identify characteristics of “thoroughly-used” (i.e., successful) exhibitions. 相似文献
9.
Ekaterina Rogatchevskaia 《Slavic & East European Information Resources》2013,14(3-4):175-200
ABSTRACTThis article discusses the theory of exhibition presentation as a genre, the specific issues of curatorial styles, and the distinct features of exhibitions in libraries. Based on my personal reflections on taking part in curating the Russin Revolution: Hope, Tragedy, Myths exhibition at the British Library, the article discusses the tension between the nature of collections held in libraries and their transformation when turned into an exhibition display, as well as the tension between the purpose of collecting for libraries and collecting for displays. It also presents the author’s experience of the challenges and solutions that exhibitions in libraries normally face. As the number of exhibition projects in all kinds of libraries is growing, the library communities are looking toward a better understanding of how libraries’ special and general collections can function in an exhibition environment and how information professionals can contribute to curatorial practices. Sharing experience about library exhibitions in the wider framework of art and museum curation will help to recognize exhibition curating as a requisite part of librarianship, which might change our perception of libraries and their relations with users now and in the future. 相似文献
10.
Xianjin Zha Fenfang Cao Yalan Yan Jia Guo Juan Wang 《The Journal of Academic Librarianship》2019,45(5):102045
Drawing on adaptive structuration theory (AST), this study develops a research model to explore innovative information seeking in the context of digital libraries from the perspectives of cognitive switching and affinity. Innovative information seeking behavior is the combination of innovative IT (information technologies) use behavior and information seeking behavior and subsequently refers to innovative IT use oriented to information seeking. A research model was developed and survey data were collected. The partial least squares (PLS) structural equation modeling (SEM) was employed to verify the research model. The findings suggest that affinity with digital libraries is the most powerful determinant of innovative information seeking. Meanwhile, task nonroutineness and disconfirmation have positive effects on innovative information seeking; the effect of social influence on innovative information seeking is overpowered by affinity with digital libraries. The findings and their implications for theory and practice are discussed. 相似文献
11.
档案网站在线展览是不断发展的信息技术和日益得到重视的档案工作有机融合的产物。开展档案网上展览,已成为档案利用中很重要的一种形式,为了了解当前我国各地区档案在线展览的实践情况,从中找到影响展览效果的因素,并且做出合理改进,提高档案在线展览的质量,扩大展览的影响力,本文对我国31个省级档案网站在线展览的展览内容、呈现形式、更新频率、版权保护四个方面进行调查,分析在线展览的发展现状,发现目前档案在线展览存在选题单一重复率高、内容缺少深层次挖掘、展示形式单一、交互性不足等问题,并从优化选题、提高内容质量、丰富展览形式、加强宣传四个方面提出具体的对策与建议。 相似文献
12.
图书会展具有信息交流和集散功能、营销宣传和形象展示功能、文化传播功能,在世界各地得到快速发展。我国图书会展起步较晚,面临许多问题和困境:图书销售功能日益弱化,缺乏现代化市场主体,管理不健全、企业竞争不规范,设施不完善、服务不配套、缺乏专业人才。为促进我国图书会展产业发展,应采取以下对策:明确功能定位,合理规划布局;培育现代化市场主体,加强国际交流与合作;健全管理体制,加强行业协会建设;加强人才培养,提高从业人员素质。 相似文献
13.
在网络时代,图书馆的各类服务手段都在探索向数字化网络化方式转型,近几年来,上海图书馆通过策划展览一积累藏品一全国巡展一网上展览厅,进行了“复合型图书馆”展览服务的有益尝试。文章详述了上图“网上展览厅”的建设和历史背景,尤其是其运用了Flash技术,编辑制作了近三十个网上展览,实现了读者足不出户,通过互联网,无论在世界哪个城市,都可轻松点击欣赏上图曾经举办过的各种艺术展览,从而达到了展览资源共享,在数字环境下走出了一条探索与创新之路。另外,作者比较了国内其他图书馆、美术馆、博物馆的展览网站,同时也系统分析了网上展览厅的优势和不足以及发展前景。 相似文献
14.
Andrew J. Pekarik 《Curator: The Museum Journal》2010,53(1):105-115
The ways that museums measure the success of their exhibitions reveal their attitudes and values. Are they striving to control visitors so that people will experience what the museum wants? Or are they working to support visitors, who seek to find their own path? The type of approach known as “outcome‐based evaluation” weighs in on the side of control. These outcomes are sometimes codified and limited to some half‐dozen or so “learning objectives” or “impact categories.” In essence, those who follow this approach are committed to creating exhibitions that will tell visitors what they must experience. Yet people come to museums to construct something new and personally meaningful (and perhaps unexpected or unpredictable) for themselves. They come for their own reasons, see the world through their own frameworks, and may resist (and even resent) attempts to shape their experience. How can museums design and evaluate exhibitions that seek to support visitors rather than control them? How can museum professionals cultivate “not knowing” as a motivation for improving what they do? 相似文献
15.
王恒 《自然科学博物馆研究》2016,1(2):36-43
科技博物馆的展览是否有结构上的要求？需要什么样的结构？本文根据布鲁纳的学习结构理论并结合科技博物馆展览设计的实践,对展览结构和教育过程进行了分析,提出展览结构是关系到展览设计水平、质量和展示教育效果的重大问题,并影响到基于展览的教育活动的设计。因此,展览的基本概念结构是依据展览主题建立起来的,是设计展览的出发点,直接影响展览设计的深度和广度。在此基础上,进一步论述了科技博物馆的展览应具有什么样的结构、如何构建展览的基本概念结构以及展览结构与展品、与基于展览的教育的关系。 相似文献
16.
ELANA KALISHER 《Curator: The Museum Journal》1998,41(1):13-35
In accordance with the Rehabilitation Act of 1973 and with the Americans with Disabilities Act of 1990, museums serve their deaf visitors by offering assistance through accessibility programs designed specifically to provide access to the museum, its collections, and/or information in an exhibition or program that would otherwise be unattainable by a person with a disability. Accessibility provisions such as signed tours, TTYs, and subtitled audio information have helped deaf people experience and enjoy museums. While these programs and provisions are necessary museum services, they do not acknowledge the view of many Deaf people—that they are not disabled but rather members of a community that does not hear. Nor do accessibility programs generally include programs on the shared traditions, values, and language that make up the culture of the Deaf community. This paper seeks to introduce museum professionals to the Deaf cultural community and Deaf cultural exhibitions that celebrate the history, achievements, and tradition of Deaf people; it offers steps to follow in planning such exhibitions and provides some examples. 相似文献
17.
在信息安全建设过程中,企业的信息安全需求、信息安全保障能力以及企业内部人员认知相互之间存在差异,从而形成信息安全管理知识缺口,造成企业进行信息安全建设后所得成效与预期不一致的情况,据此提出信息安全管理缺口模式并对模型所定义的六个缺口进行分析,最后提出弥补缺口的建议。 相似文献
18.
Abstract To evaluate visitors' use of the exhibitions and the communication strategy of the Milan Natural History Museum, we compared results gathered with two methods, based respectively on the timing of visitors and on the unobtrusive observation of exhibit‐use behaviors. We collected data from a sample of 100 groups of visitors (not guided), randomly selected at the museum entrance. We recorded the following data for each group: halls visited, length of stay in each hall, any kind of behavior showing visitor/exhibition interaction and the displays where interactions occurred. The study shows that visiting time does not give enough information about the actual use of exhibits by the audience. The investigation of visitor/exhibition interactions revealed itself to be the most usual method to describe the visitors' use of the exhibitions. The most important factor influencing visits to the Milan Natural History Museum is the communication technique used in the exhibition areas. 相似文献
19.
邵晨卉 《自然科学博物馆研究》2019,(6):60-66
2019年10月26—27日,“博物馆展览策划的理论与实践学术研讨会暨第三届科博论坛”在浙江杭州召开,会议围绕博物馆展览面临的挑战与对策展开了深入探讨,分享了不同领域与背景的观点。当今的中国博物馆展览发展迅速,建立起符合中国自身特点的策展机制,能为策划“好展览”提供制度性保障。以此为基础,立足于博物馆使命,策展团队通过提炼展览主题,采用多元的叙事方式、叙事视角、叙述语言以及视觉传达等手段,能为观众策划出更多有思想、有品质的好展览。 相似文献
20.
Steven S. Yalowitz 《Curator: The Museum Journal》2004,47(3):283-298
Abstract In 1997 the Monterey Bay Aquarium refined its mission to one concise statement: The mission of the Monterey Bay Aquarium is to inspire conservation of the oceans. This has led to increased conservation content in exhibitions and more evaluation studies focused on visitors' conservation knowledge, understanding, attitudes and behavior. This article reviews conservation‐related findings from the aquarium's exhibition evaluation efforts over the last 14 years, summarizing the major themes that emerge from this body of work. Findings suggest that visitors to the Monterey Bay Aquarium are interested in and receptive to conservation content and learn new conservation information from exhibitions. Visitors' interest is most influenced by their personal involvement with conservation issues and previous visitation to the aquarium. After leaving the aquarium, there is evidence that visitors retain specific conservation information and maintain levels of concern about conservation topics for weeks, and even months, after their visit. Additionally, some visitors use the Seafood Watch pocket guide to choose sustainable seafood months after visiting the aquarium. 相似文献