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我国的少儿报刊从20世纪80年代恢复创办以来,发展极其迅速,目前,全国有各类少儿报刊近300种,编辑及各类工作人员数万人,已成为我国报刊领域的一支十分活跃的力量.随着市场经济的完善和新世纪的来临,少儿报刊的发展遇到了许多新问题,一些曾积极指导少儿报刊向前发展的理念已显得陈旧过时,少儿报刊必须经历一场理念上的革命性演进.只有这样,才能确保我国的少儿报刊在新世纪的健康发展. 相似文献
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认识勤俭兄已有15年了。15年前,他已是一位卓越的报刊广告的领军人物。与勤俭兄相处的15年,正是中国报刊经营的高速发展期。回顾这15年的发展,勤俭是中国报刊界一位功不可没、不可或缺的人物。 相似文献
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新疆维吾尔自治区是一个多民族聚居的区域,这决定了新疆报刊文种的多样性。充分发挥汉文报刊和少数民族文字报刊的作用,对于发展新疆经济,维护民族团结,传承民族文化等方面都具有重要的意义。而对新疆多文种报刊的发展现状、社会功能和意义进行分析、找出存在问题并提出对策,有助于促进新疆多文种报刊发展。 相似文献
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这次全国报刊管理工作会议，是列入今年新闻出版署重点工作的一次重要会议。自1997年在昆明召开全国报刊管理工作会议以来，至今已经过去了近4个年头。在这4年中间，我们按照中央的部署，用3年时间对报刊的散滥问题进行了治理整顿，又用1年时间对报刊结构进行了调整。这两项工作都取得了一定成效。根据中央思想政治工作会议精神和党的十五届五中全会提出的要求，面对新的世纪、新的形势，如何进一步加强对报刊业的管理，促进报刊业的繁荣健康发展， 相似文献
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官方微信是报刊全媒体实践的又一重要平台.这一平台进入门槛低,目前很多报刊在布局实践.报与刊的官方微信呈现出不同特点和差异,而把握合适的发展原则,将有利于更好地采用这一渠道. 相似文献
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民国时期出版的三部英文《中国年鉴》中的报刊资料,反映了这一时期我国报刊的发展状况,对研究近代报刊史具有参考价值。 相似文献
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论当前形势下少儿报刊的发展对策 总被引：1，自引：0，他引：1
我国的少儿报刊自创办以来发展迅速,已达400余家,成为我国报刊领域一支活跃的力量,而随着文化市场的完善、网络时代的来临,少儿报刊如何才能在激烈的竞争中求生存谋发展,成为每一位少儿报刊工作者必须认真思考的问题。本文以此为切入点,简单叙述了我国少儿报刊发展的现状及存在的问题,进而详细地论述了当前形势下少儿报刊的发展对策。 相似文献
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广东地区外文原版报刊引进现状及发展思考 总被引：4，自引：3，他引：1
外国原版报刊是引进国外科学研究成果、先进技术的重要信息来源,对促进我国科学研究水平的提高,推动社会经济与文化的发展起着重要的作用。近年来,广东地区外国原版报刊引进形势处于相对良好的稳定状态,在全国范围内已成为仅次于北京、上海两大城市之后的引进外文原版报刊的重要地区。本文以1990年～1998年间广东省中心图书馆委员会办公室编辑出版的《广东地区外文原版报刊联合目录》为素材,并与中国图书进出口总公司出版的第八版《外国报刊目录》进行对比、统计,分析近年来广东地区引进外国原版报刊的有关数据,旨在反映广东地区外国原版报… 相似文献
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一、报刊网站与报刊母体的关系报刊网站作为媒体产业的一个组成部分,在考虑报刊网站营运方式时,它应该怎样定位,是一个很重要的问题。现在有些报业媒体开始探索报刊网站与报刊母体“机制剥离”的发展道路,这对报刊媒体的整体发展是否有利还很值得研究。如果我们把报业媒体看作是一种企 相似文献
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《文物保护研究》2013,58(4):267-280
AbstractThis project examines the lightfastness of prints created with the most commonly used digital technologies (inkjet, color electrophotography, dye sublimation and digital press) along with prints created using traditional technologies (color photography, black-and-white electrophotography and offset lithography). The inclusion of traditional prints provides benchmarks for collection care professionals to better gauge the significance of the results. In this study, prints were subjected to two types of lighting used independently to simulate daylight through window glass and artificial indoor illumination. Five aspects of light damage were assessed: fade in the mid-tone neutral, fade in the darkest neutral tone, paper yellowing, changes in paper gloss and text readability. In general, digital prints were less sensitive to light than traditional prints; but each digital printing technology produced at least one sample that performed worse than its traditional benchmark in at least one of the aspects of light damage studied. Therefore, it is recommended that cultural heritage institutions strive to provide the most benign environment possible, taking display practices currently in use for traditional prints as a minimum starting point for the care of digital prints. Close monitoring for signs of change is also recommended. 相似文献
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《文物保护研究》2013,58(3):162-168
AbstractAs the great majority of photographic prints have a paper support, their conservation has been based on conservation treatments traditionally used by paper conservators. It cannot be assumed, however, that these standard treatments, that are employed on paper without any problem, will give comparable results on photographic prints. The effects of mechanical cleaning, solvent cleaning, wet cleaning, bleaching and deacidification on salted papers, cyanotypes and platinotypes are investigated and discussed. The treatments were separated into those that gave clearly negative results and should be rejected, and those that should be studied in depth before accepting them as suitable. It was shown that the use of some types of bleaching and deacidification agents can be very dangerous in the case of plain paper prints. Cyanotypes proved to be the most sensitive to any treatment method and platinotypes the most resistant. 相似文献
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This study is part of a larger research project dedicated to digital print preservation issues – the Digital Print Preservation Portal (DP3). This work quantifies the potential of glazing materials to mitigate different types of light-induced damage – colorant fade, paper yellowing, changes in paper gloss, and loss of optical brightening agent (OBA) function – that occur to digitally printed photographs and documents when on display. Prints were subjected to xenon lighting to simulate daylight through window glass in a series of arrangements: without glazing, with plain framing glass (soda-lime) in a sealed or unsealed package, and with UV blocking glass in a sealed or unsealed package. Sealed packages served the purpose of isolating the samples from atmospheric pollutants, known to contribute to the deterioration of certain print types. In this study, the use of UV-filtering glass protected prints from colorant fade, paper yellowing, and paper gloss change to an extent. Protection conveyed by plain glass was less comprehensive and less effective than UV glass. Neither type of glazing was able to keep the OBAs functional by the end of the light exposure. It was also seen that light-induced damage to digital prints is due not only to UV radiation, but also to visible light, and that different digital prints may be more vulnerable to one or the other. Protecting sensitive prints from UV radiation and budgeting the amount of light they may be exposed to should be essential to any print display policy in order to ensure longevity. 相似文献
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指出图书馆现代化建设应当认清两个基本理论、两个基本事实和两个基本概念,遵守“四项基本原则”,“持续发展论”与“发展阶段论”相统一;自身发展与社会整体发展相统一;理想主义与现实主义、创造精神与科学态度相统一;普及与提高、“锦上添花”与“雪中送炭”相统一,因地制宜,因馆制宜。 相似文献
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This study is part of a larger research project at the Image Permanence Institute dedicated to digital print preservation issues – the Digital Print Preservation Portal (DP3). Previous DP3 studies determined that certain digital print types are prone to cracking and/or abrasion, and that factors such as low relative humidity, pollutants, and light increase the brittleness of the ink-receiving layer of some inkjet papers. The purpose of this investigation was to explore if light also increases the propensity of inkjet prints to abrade, and to examine the potential of framing glazings to mitigate light-induced physical damage (cracking and abrasion) by attenuating some portion of the UV spectrum. Inkjet papers and prints were subjected to xenon lighting (to simulate daylight through window glass) without glazing, or in sealed framing packages with plain framing glass (soda-lime) or UV filtering glass. Before and after light exposure, brittleness, and abrasion resistance were evaluated independently using two tests: ISO 18907 (Imaging materials – Photographic films and papers – Wedge test for brittleness) and a rub test utilizing a Sutherland® Rub Tester. In this study, exposure to light increased the cracking and/or abrasion tendency of some specimens. The use of UV filtering glass reduced this light-induced propensity in all cases. Plain glass protected all samples from at least one of these two types of surface damage, but was less effective than UV glass. Light-induced brittleness and sensitivity to abrasion were mostly, though not exclusively, caused by UV radiation. It was also seen that some prints may become brittle and/or prone to abrasion in the absence of image fade. Budgeting the amount of light these objects can be exposed to, protecting them from UV radiation, and handling prints with caution especially after exhibition, is essential in order to limit physical damage. 相似文献
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庞蓓 《现代图书情报技术》2005,21(5):15-19
在对E-prints和数字注册进行简要介绍的基础上，介绍了数字注册在E-prints中的应用，并分别对E-prints采用MARC和DC这两种不同的方式进行数字注册所产生的效果进行了探讨，最后笔者提出了对E-prints数字注册方式的选择、质量控制、数字注册信息的维护三方面问题的看法。 相似文献
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走近大众--首都图书馆北京历史文化科普讲座工作的认识与实践 总被引：1，自引：0，他引：1
首都图书馆于2002年推出“首图讲坛”讲座品牌,在这一品牌下打造首都图书馆系列讲座。笔者通过组织举办“首图讲坛”北京历史文化科普系列讲座,对讲座工作有了一定的认识,并在认识的基础上对讲座进,宣传、策划,组织,深入群众,打造京城文化品牌。讲座的开办不仅向广大群众传播了先进文化,还促进了图,馆工作的开展,成为公共图书馆贴近百姓文化生活的一项重要工作。 相似文献