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纪录片限制性叙事视角分析 总被引：1，自引：0，他引：1
中国电视纪录片近四十年的发展历史,其创作观念与形态的演进随着社会的发展与进步,逐渐呈现出一种多元化的态势。单单从中国电视纪录片叙事视角的转变,不难看出其中折射出的社会文化思潮变化的脉络。叙事视角的选择是纪录片叙事面临的首要问题,随着20世纪90年代以来纪录片叙事视角多元化格局形成,作为对全知视角的一种反拨,限制性叙事视角方兴未艾。 相似文献
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从中国第一部电视纪录片产生到现在,中国电视纪录片走过了50年的历程。近年来,随着纪录片题材的扩张和对影像化的追求诱发了多种表现手法的运用,从而产生了对纪录片真实的怀疑。而其实,无论从纪录片的本质属性还是创作状况来说,50年来的中国电视纪录片创作仍然一直坚守着真实的基石。纪录片的真实理念并没有被颠覆,也没有必要进行重构。而面对纪录片真实的怀疑,我们有必要对纪录片的真实属性和近段时间出现的一些表现手法进行重新思考和梳理。 相似文献
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<正>随着电视传媒的发展,电视纪录片越来越重视对悬念叙事表现手法的应用。悬念叙事的应用大大提高了电视纪录片的观赏性,有效促进了电视纪录片的传播。主要分析悬念叙事在电视纪录片中的应用,阐述电视纪录片运用悬念叙事的必要性,以及对悬念叙事应用的相关建议。 相似文献
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本文主要从媒介融合视角出发,结合近年来媒介融合的特点及发展趋势,阐述中国电视纪录片叙事理念的拓展。同时,结合一些优秀的电视纪录片,分析媒介融合背景下电视纪录片叙事手段的创新。最后,探讨电视纪录片如何在复杂多变的媒介环境下实现更高层次的媒介融合,提出在纪录片创作过程中要关注人性最本质的需要,坚守纪录片的核心价值取向。 相似文献
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大型电视纪录片《敦煌》在叙事上将真实再现手法从以前作为辅助叙事的手法变成了主要的叙事线索之一,这让中国的电视纪录片在叙事上又有了一定的进步和创新,但是这种创新似乎还没有成熟,编导在控制本片的文化性和故事性之间的平衡上仍然还有一定的缺陷,本文通过对《敦煌》中的真实再现手法的探析来挖掘造成这一缺陷的原因,从而寄希望于中国的电视纪录片创作者在今后的创作中能够更成熟地运用真实再现这一手法. 相似文献
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二十世纪90年代以来，电视纪录片创作逐渐进入成熟期。纪录片的本性受到尊重，纪实主义的创作方法得到普及;纪录片的叙事技巧达到了较高的水平。但是，电视纪录片创作上的繁荣却和其市场化进程不成正比。从上世纪90年代末到现在，电视纪录片的处境都非常艰难。各地电视台前几年设置的纪录片专栏逐步被取消；甚至当年曾创下36％的收视率， 相似文献
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融媒体时代,清晰地把握不同媒体语境下纪录片的叙事特征,有助于提高其传播效果.目前国内纪录片的创作主要是针对院线、新媒体、电视进行投放,在叙事视角上各有特点.本文采用文本分析的方式,探讨2013年以来中国纪录电影、新媒体纪录片和电视纪录片的叙事视角,包括谁在讲(角度),讲了何人、何事(内容),以及不同的叙事视角给观众带来的不同感受(效果),同时解释为什么这三者会使用不同的叙事视角. 相似文献
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电视纪录片的叙事悬念 总被引：2，自引：0，他引：2
本文阐述了电视纪录片运用悬念叙事的必要性,指出应该依据电视纪录片本身的叙事风格来建构悬念,充分利用电视语言来表现悬念.在悬念中叙事,可以更有效地提高电视纪录片传播效果. 相似文献
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中国电视纪录片从1958牟开始,已经走过了50多年的风风雨雨。本文主要采取文本分析的办法,将不同时期我国电视纪录片的不同特点和该时期的代表作品相结合,试图勾勒出一幅中国电视纪录片发展的脉络,并对我国电视纪录片的发展进行了思考。 相似文献
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Ginger E. Blackstone 《Visual Communication Quarterly》2018,25(2):106-117
After the ratings success of the documentary film, Blackfish, CNN launched a new documentary initiative branded as CNN Films. Looking back at the history of the documentary genre on broadcast and cable/satellite television, one can see that the medium has had a troubled past in terms of ratings generation, although there have been notable exceptions. Unfortunately for documentary enthusiasts, a number of channels that once embraced documentary programming have since abandoned the genre and replaced it with nonfiction reality shows. Incorporating expectancy-value theory, one can assess that in order for a documentary initiative to be a successful ratings generator, the content must build a high amount of expectation among viewers and deliver a high amount of value. But it has been quite difficult for programming executives to successfully predict which documentaries will generate the solid ratings they seek. Given these factors, this article argues that the CNN Films push is a risky move by CNN President Jeff Zucker, and it is doubtful that the strategy can deliver the ratings surge the embattled network needs to beat its competition. 相似文献
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随着视听传播技术的深入发展,网络视听新媒体的全面崛起不断挤占传统影视媒体市场,促使传统广电行业升级转型,影视传播转向视听传播业已成为大势所趋。在此背景下,高校影视教育只有应时代的发展调整人才培养模式,才能满足业界对高质量视听传播人才的需求。本文以当前媒体市场巨变为切入点,对高校影视教育的现状及困境展开分析,结合部分高校的突围经验,探讨视听传播逻辑规制下的拔尖创新人才培养路径。 相似文献
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This paper analyses the extensive reactions and intensive discussions generated by Heshang, a six‐part documentary series aired in June 1988 in China. The documentary, advocating a ‘full‐scale adoption of Western ideas’, and ‘total abandoning of Chinese traditional culture’, stirred up party leaders' displeasure. Furthermore, the paper also analyses the presentation rationale and strategy (such as use of symbols, emotional appeal, etc.) used in Heshang. The analysis suggests that the programme producers' experiment of conveying complex social, cultural and historical contents in a documentary format is successful and innovative. Additionally, Heshang has enormous implications for contemporary Chinese politics, in particular the use of television as a public forum on controversial issues. As such, this paper enhances our understanding of the role and impact of the mass media in China. 相似文献
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潘希鸣 《自然科学博物馆研究》2022,(4):8-17
为承担弘扬科学家精神的使命,中国科技馆推出系列节目《党史里的科学家》,结合科技馆资源优势及现实需求,从节目形式、内容叙事与传播路径等全维度实现创新突破。这次探索为当代科学家题材电视节目创作、科普创作提供了新思路,更为媒介融合时代建构实体场馆与媒介的全新关系,通过科普影视作品将科普场馆、媒介、科技工作者与大众有机联系起来,提供了可借鉴、可推广的创作经验。 相似文献
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This study advances documentary film effects research by comparing the influence of a political documentary with a historical reenactment film on narrative engagement, affect, learning, and interest. Using the Rwandan genocide as a context of study, a documentary film, The Triumph of Evil, and the historical reenactment fictional film, Hotel Rwanda, were examined. Results revealed significant differences between documentary and historical reenactment film exposure for affective responses and issue knowledge gain. However, increased issue interest and narrative engagement were not significantly different for the two stimulus groups, suggesting that dramatic fictional reenactments of socio-political events lead to increased issue interest as much or more than the live footage and factual account of events offered in a documentary. The results of this study are discussed in terms of their importance for key democratic outcome variables (e.g., knowledge and participation), along with suggestions for future documentary film research. 相似文献
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《Communication methods and measures》2013,7(1):7-30
This study examines the reliability and validity of the eyeblink startle reflex as a measure of emotional and motivational responding to television content. A pretest uses continuous response measurement to identify pleasant, neutral, and unpleasant scenes from a television drama. Acoustic startle probe methodology and facial electromyography are used to measure responding to these scenes during an experiment. Although past research has suggested that the startle reflex is a reliable measure of emotional responding to television and film content, there is reason to expect that this effect may be obfuscated if the probe falls close to a camera change or scene change. The startle reflex data offer convergent validity with the continuous response data and concurrent validity with the facial electromyographic data. However, the presence of a camera change or scene change within 500 ms of the startle probe did disrupt the emotional modulation of the reflex. These data show that the startle reflex can be a valid and reliable temporally precise measure of emotional responding to television programming if proximity to scene changes and camera changes is controlled. 相似文献
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当前,媒体融合成为文化经济发展中的新常态。影视与出版这两大文化行业之间的合作,逐渐从图书影视化进阶到影视图书化的新阶段,这一转变彰显了影视对出版创新的反哺作用。从媒介视角看,影视反哺是媒体融合时代的一种文化互利;从受众视角看,影视反哺现象的盛行离不开粉丝型受众的参与,粉丝们在情感逻辑的支配下演绎多样化的趣缘传播行为,以强大的传播力和消费力推动影视向图书顺利转化;从产业视角看,影视反哺现象彰显了 IP 经济的发展潜能,出版行业应围绕图书 IP 进行多维度的产业开发,建设以出版文化为基础的产业融合生态,致力于全民阅读的复兴与书香社会的建设。 相似文献
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档案叙事不仅具有历史还原功能,还具有传承家国情怀的教育价值功能。后现代主义视域下的档案叙事对中国社会主流价值的挑战,使得我们不得不对档案叙事进行应有的批判与反思。坚持"求真"的理性诉求和辩证唯物主义价值取向引领下的档案叙事,使叙事"想象"边界把握与价值引导并重,实现国家认同功能价值的传递。 相似文献
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《Mass Communication and Society》2013,16(2):93-110
Scholars have long debated the role of media and discussion in encouraging tolerance and engagement in politics and community. Theories range from the dismissal of effects to the assertion of powerful influences, and from claims of "media malaise" to the promise of "virtuous circles." Of course, results from research exploring these issues vary by context and methods of study. Yet most past research is plagued by at least 1 of 2 methodological weaknesses: the difficulty of assessing causality in cross-sectional survey designs and/or of attributing the observed effects to information gains rather than to the deliberative process itself. Acknowledging these weaknesses, we rely on data from a quasi-experimental study examining a media dialogue effort. In this study, randomly selected public television members and partners were recruited into various forms of "real world" exposure and discussion about the documentary film Two Towns of Jasper. This documentary highlights the divisions in Jasper, Texas following the racial killing of James Byrd, Jr., who was dragged to his death behind a pickup truck by 3 White men. Controlling for a wide range of preexisting differences, including past political discussion and participation, we compared individuals who had different experiences of the intervention. Results reveal that media consumption was positively related with willingness to discuss the issue of race and participate politically around this issue. Above and beyond media consumption, participation in a heterogeneous citizen's forum that discussed the documentary contributed to awareness of racism, as well as increased willingness to further discuss and participate on this issue. This article highlights the importance of citizen dialogue in combination with media consumption for engagement, and suggests an alterative to forums such as citizen juries, study circles, and deliberative polls. 相似文献