| 论康德美学思想的调和性 |
| |
| 引用本文： | 张义宾.论康德美学思想的调和性[J].临沂师范学院学报,2003,25(5):33-35. |
| |
| 作者姓名： | 张义宾 |
| |
| 作者单位： | 山东大学,艺术学院,山东,济南,250100 |
| |
| 摘 要： | 康德美学的贡献就在于使西方传统美学中的理性与感性两大美学流派统一在一起，纠正了前期美学思想各执一端的缺陷，指出了一条新的美学思想的道路，为德国古典美学的深入发展奠定了基础。
|
| 关 键 词： | 康德 美学 感性 理性 |
| 文章编号： | 1009-6051(2003)05-0033-03 |
The Property of Consonance of Kant's Aesthetic Thoughts |
| |
| ZHANG Yi-bin.The Property of Consonance of Kant''''s Aesthetic Thoughts[J].Journal of Linyi Teachers' College,2003,25(5):33-35. |
| |
| Authors: | ZHANG Yi-bin |
| |
| Abstract: | Rectifying the unilateral limitations of former aesthetic thoughts, the contribution of Kant's aesthetics lies in that it unifies two kinds of aesthetic schools derived from the traditional Western aesthetics-rational aesthetics and sensory aesthetics. Kant indicates a new way for the aesthetics and establishes the foundation for the deeply development of German classic aesthetics. |
| |
| Keywords: | Kant aesthetics sensibility ration |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
