| 论"汤、沈之争"(下) |
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| 引用本文： | 陈军.论"汤、沈之争"(下)[J].襄樊职业技术学院学报,2003,2(6):61-64. |
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| 作者姓名： | 陈军 |
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| 作者单位： | 扬州大学,江苏,扬州,225001 |
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| 摘 要： | “汤、沈之争”在中国戏曲理论发展史上占有重要地位。它的产生是受戏曲理论发展的内在逻辑性、当时戏曲现实创作和理论状况以及论争主体条件等诸因素合力作用的结果。整个问题的产生及解决工作和元代戏曲理论、创作实践的联系是人类社会螺旋式上升发展过程的一个反映。中西曲论发展进程中的情与法矛盾的横向比较存在着一致性和差异性。
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| 关 键 词： | 戏曲 汤、沈之争 文辞 声律 |
On the Contestation Between Mr. Tang and Mr. Shen |
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| CHEN Jun.On the Contestation Between Mr. Tang and Mr. Shen[J].Journal of Xiangfan Vocational and Technical College,2003,2(6):61-64. |
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| Authors: | CHEN Jun |
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| Abstract: | Contestation between Mr.Tang and Mr.Shen occupies the important position on the develop ment history of Chinese drama theories.It ' s the joint product of the actions of so many factors as inside logic that drama theory develops,the drama artistic practices and theoretical situations at that time,contestation cor pus term,etc.The contact between the creation and solution of the whole problem and the development of dra ma theories,the drama artistic practices in Yuan Dynasty reflects a spiral type that human society runs highly.There appears consistency and difference through horizontal comparison between feeling and method in the de velopment of Chinese and western drama theories. |
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| Keywords: | traditional opera contestation between Mr Tang and Mr Shen diction law of sound |
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