| 仄韵五律之声律和韵律研究 |
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| 引用本文： | 韩成武.仄韵五律之声律和韵律研究[J].安阳师范学院学报,2005(4):34-37. |
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| 作者姓名： | 韩成武 |
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| 作者单位： | 河北大学,人文学院,河北,保定,071002 |
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| 摘 要： | 依据清本<全唐诗>收录的作品,对仄韵五律的声律、韵律进行调查,可知自初唐前期开始,诗人们在探讨平韵五律的同时,就已经对仄韵五律的声律、韵律进行着摸索.从唐人创作的实际情况来看,仄韵五律同平韵五律相比,在实施押韵和粘对规则上是同中有异的,仄韵五律的特点是:(一)首句若是使用仄脚律句,则仄脚字并不入韵,而且第五句使用仄脚律句.(二)首句若是使用平脚律句,则第三句、第七句使用仄脚律句.
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| 关 键 词： | 仄韵五律 声律 韵律 |
| 文章编号： | 1671-5330(2005)04-0034-04 |
| 收稿时间： | 2005-03-11 |
| 修稿时间： | 2005年3月11日 |
The Study of Sound and Rhyme Rules Among the Five Oblique Rhyming Rules |
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| HAN Cheng-wu.The Study of Sound and Rhyme Rules Among the Five Oblique Rhyming Rules[J].Journal of Aayang Teachers College,2005(4):34-37. |
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| Authors: | HAN Cheng-wu |
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| Institution: | Renwen College, Hebei University, Baoding 071002,China |
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| Abstract: | according to "the Complete Collection of poems in Tang Dynasty"which was edited in Qing Dynasty, and the study of oblique-tone-rules,we know that poets in Tang Dynasty had begun to explore the sound and rhyme rules. They compared the level and oblique tone rules and found the following features of the rules: 1.if the first line uses oblique rhyme, so is the fifth line;2. if the first line uses level rhyme, so is the third and the seventh line. |
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| Keywords: | five oblique rhyme rules sound rules rhyme rules |
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