| 从康德“自由美”与“依附美”的立论看现代音乐的审美 |
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| 引用本文： | 幸榕.从康德“自由美”与“依附美”的立论看现代音乐的审美[J].昆明师范高等专科学校学报,2008,30(3):118-120. |
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| 作者姓名： | 幸榕 |
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| 作者单位： | 昆明学院音乐系,云南昆明650202 |
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| 摘 要： | 康德的“自由美”与“依附美”的美学命题，体现了其哲学体系中的“自律论”“它律论”这对哲学概念。在音乐界，德国音乐学家卡茨将“自律”、“它律”使用在音乐美学中，出现了自律美学和它律美学两个概念。康德的自由美是一种纯形式的美，而与自由美相对的依附美是社会事物的美，而不是纯粹自然事物之美。康德认为美与被依附物无关，强调美在于形式，即艺术的自由才是创造的本质。由此，他为自律论美学提供了哲学基础，在现代音乐领域产生了深远影响。
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| 关 键 词： | 康德 现代音乐 音乐审美 自由美 依附美 自律美学 它律美学 |
To See Aesthetics of Modern Music from the Theory "Free Beauty" and "Dependence Beauty" of Kant |
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| XING Rong.To See Aesthetics of Modern Music from the Theory "Free Beauty" and "Dependence Beauty" of Kant[J].Journal of Kunming Teachers College,2008,30(3):118-120. |
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| Authors: | XING Rong |
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| Institution: | XING Rong ( Music Department, Kunming University, Yunnan Kunming 650202, China) |
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| Abstract: | The aesthetics thesis of Kant＇s ＂free beauty＂ and ＂dependence Beauty＂ presents ＂autonomy＂ and ＂Heteronomy＂ the two philosophy concepts in his philosophy system. In musical field, the German musician Felix Gatze used ＂autonomy＂ and ＂heteronomy＂ in musical aesthetics and the two concepts autonomy aesthetics and heteronomy aesthetics appeared. The free beauty of Kant is a beauty with pure form while the opposite the dependence beauty is the beauty of social matter, not the pure natural beauty. Kant considered there is no relation between beauty and the dependence, and emphasized beauty existing in form namely the freedom of art is the kernel of creation. So he provided philosophy basis for autonomy aesthetics that has got profound influence in musical field. |
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| Keywords: | Kant modern music musical aesthetics free beauty dependence beauty autonomy aesthetics heteronomy aesthetics |
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