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图画、文字、故事、艺术是构成一本绘本必不可少的四种要素。作为儿童成长与发展过程中重要的一种儿童文学形式,绘本有其特殊的地位和价值,了解儿童阅读绘本的世界对于家长而言,相当于是得到了一本“儿童绘本学习指南”,那么应该如何更好地指导孩子阅读呢? 相似文献
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张民 《天津市教科院学报》2012,(6)
绘本是一种把语言与图画两种艺术表现手段很好融合在一起进行故事叙述的艺术形式,它具有独特而丰富的价值.教师在利用绘本开展教学时,应以阅读为本质,把握作品特点;以儿童为本位,制定适宜目标;以“支架”为方式,优化教学过程.在绘本教学活动中使幼儿体验阅读的乐趣,积淀阅读的经验,使幼儿终身受益. 相似文献
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《陕西教育学院学报》2019,(5)
为了梳理我国儿童绘本阅读领域研究的重点和发展趋势,以CNKI所收录的关于儿童绘本阅读领域的相关文献为研究对象,利用Bicomb和SPSS软件为研究工具对2000-2017年有关儿童绘本阅读的3341篇文献进行了可视化分析。研究结果表明,国内儿童绘本阅读领域研究的热点主要集中在:绘本阅读、早期阅读、亲子阅读、绘本教学、图书馆、幼儿、儿童等方面。上述研究领域呈现四大趋势:儿童绘本内容研究向绘本应用研究转变;儿童英语绘本教学研究颇受重视;图书馆成为推广儿童绘本阅读的主要力量;儿童绘本的内容、形式与应用不断得以创新。 相似文献
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《学周刊C版》2018,(27)
绘本是最适合儿童阅读的图书,而无字绘本作为绘本的其中一种类型,也有着独特的价值。无字绘本是只依靠图画进行内容叙述和传情达意的绘本,它的画面往往具有直观性强、解说性强和连贯性强的特点,可以让读者读懂故事的情节和发展。而阅读无字绘本也有利于儿童增强自己的读图能力,培养逻辑思维,发挥想象力和创造力,并激发他们的阅读兴趣,也更能激发他们对故事的参与感。因此,家长和教师在带领儿童阅读无字绘本时,也要在引导儿童学会读图、关注细节后,注意尊重儿童对绘本的独特解读和他们的自由想象,让儿童真正体验到阅读的乐趣。作为世界著名的绘本作家,大卫·威斯纳创作了许多无字绘本作品,从他的作品中,我们也更加能够感受到无字绘本的魅力,那就是为儿童展现了一个属于他们自己的奇幻世界。 相似文献
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《陕西教育学院学报》2019,(5):31-34
绘本游戏是基于对绘本阅读整体性功能的认识,通过儿童在教师创设的环境中主动、快乐的游戏,以儿童身心全面和谐发展为目的的游戏活动。"课程创生"视域下绘本游戏的类型和表现形式都是多样的。借鉴课程创生的内涵和特质理论,在指导绘本游戏时应以游戏精神为引领,通过游戏形式对绘本情境与儿童经验进行整合和补充;以儿童本体为前提,通过游戏形式对绘本个性化解读进行呵护和支持;以情感共鸣为目标,通过游戏形式对绘本思想情感脉络进行梳理和升华。 相似文献
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Margaret MacKey Jill Kedersha McClay 《Changing English: An International Journal of English Teaching》2000,7(2):191-201
New media and technologies operate in polysemic formats that make complex demands on readers. During a time of constant change in ways of communicating, the familiar form of the picture book offers readers of all ages a route into sophisticated polysemic reading. Contemporary picture books provide both the comfort of the known and the potential of the new. As texts that use multiple semiotic systems, picture books also manifest the chief virtue of print on paper: they are 'a resting place for words' in Derrick de Kerckhove's phrase. Unlike online readers, picture book readers are literally able to get their hands on key words or pictures, literally able to trace the flow of the story. Within this well-known form, many contemporary picture books subvert literary conventions and explore challenging aesthetic and social questions. 相似文献
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基于图画书特质的幼儿园图画书阅读教学策略 总被引：1，自引：1，他引：0
图画书是一种把语言与图画两种艺术表现手段很好融合在一起进行故事叙述的艺术形式.教师如果不能很好地把握图画书的这一特质,就会很容易在有关图画书的阅读教学中把文字与图画分割开来,或者把图画书当作传统看图讲述的对象,或者把图画书当作开展综合活动的引子,而忽略图画书自身独特而丰富的价值.为激发幼儿阅读图画书的兴趣,促进其自主阅读能力的发展,深化其阅读体验,教师在利用图画书开展阅读教学时,应善于利用其经过艺术处理的"图像文字",进行声音和空间的再现,使幼儿产生身临其境的阅读感受;应善于抓住其中隐形的关键人物,再造有关人物形象;应能灵活运用多种翻页技巧,把握文本节奏;应关注画面细节,深度挖掘故事内涵. 相似文献
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Joanne Marie Purcell 《Children‘s Literature in Education》2018,49(3):356-375
Picture books, as both sophisticated aesthetic objects and literary texts, provide the ideal site for critically examining how values and ideology are transmitted to children. How the child reader might be affected by the process of reading a picture book—that is, how he or she might be moved emotionally and potentially gain new insights about the world—is of interest to scholars and educators alike. This article draws upon cognitive literary theory as a conceptual frame through which to explore the cognitive and emotional affect that reading may have upon children. “Reader response” and “cultural criticism” are approaches to literature that seek to understand how readers interact with texts. Cognitive theory, when applied to literature, builds on these discourses by focusing on why reading fiction might cause the brain to produce emotional and cognitive responses in readers. As metaphors are a feature of language and of thought, a study of the metaphorical in picture books aptly lends itself to the theoretical framework offered by cognitive literary theory. Drawing on examples from four picture books produced for children, broadly correlating to different developmental stages, this article examines the role of metaphor in encouraging skills in decoding and creative thinking. Talking to children about visual metaphor or metaphorical expression introduces them to a feature of language and thought that provides a conceptual frame for richer understanding and expression of ideas. Examining how the metaphorical operates in picture books thus takes us a step closer to understanding how the process of reading affects children and enriches their lives. 相似文献
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徐蕊 《商丘职业技术学院学报》2014,(3):119-120
图画书已经成为儿童文学中不可或缺的重要且基础的一类,是儿童早期阅读中非常重要的资源。师范生在大量阅读图画书的前提下,应该逐步进入图画书的创编。在进行图画书创编时可以从续编或仿编开始,逐渐进入创造性创编。从传统故事、成长经验、阅读体验中提取故事因子,注意文字的简洁、童趣和节奏感,用图画的造型、色彩、布局和图画的细节展现故事,重视讲述故事时的图文结合点,做到真正意义上的创造性创编。 相似文献
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In this article, we want to present and analyse the picture book The World has no Corners (2006/1999) by the Norwegian author and illustrator Svein Nyhus. The book represents a new trend in Norwegian picture books for children by inviting the readers into a world of thinking and wondering about existential topics such as life and death, growing up and getting old, God, children’s relationship to nature, etc. The picture book does not give clear answers to the questions that are raised, but has a potential for exploratory dialogues between child and adult readers. In our analyses of verbal text and images—and the relation between these—we build on social semiotic theory by Halliday, Kress and van Leeuwen, reception theory by Eco and Iser, and aesthetic theory represented by Dewey and Rorty. Through analyses of some selected spreads, we want to show both the framework keeping the readers inside the text, and the indeterminacies inviting the readers to wonder and speculate about the questions raised. We also want to draw attention towards a special way of co-reading of the spreads. Compared with the process of reading picture books where the adults often confirm or correct the child readers’ way of putting their interpretation into spoken language, the co-reading between children and adults in this picture book seems to be rather existential and poetic as well as democratic. We will shed light upon this reading process, as we consider it as a way of the readers fortifying themselves into the world. 相似文献
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郭艳芹 《山西广播电视大学学报》2012,(4):99-101
图画书贴近孩子生活,具有艺术性、文学性、文字和图画和谐共处等特点,对幼儿情感价值的培养有着独特的作用。但是在幼儿图画书阅读活动中却存在重功利轻兴趣、重意义轻感受、重讲授轻个性等问题。图画书阅读能使幼儿体验到爱的价值,使幼儿身心愉悦,促使他们把图画书阅读当作一件快乐的事情来享受。通过幼儿与材料的互动、师幼之间的互动,使幼儿阅读活动更加富有活力。 相似文献
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游戏与绘本教学相结合,可以采用角色扮演游戏、区域游戏和亲子游戏等形式,引导幼儿演绎绘本,激发幼儿学习兴趣,调动幼儿学习的积极性,帮助幼儿养成阅读绘本的良好习惯,让绘本成为幼儿积累知识、获得人生感悟、学习语言的桥梁。文章结合教学实践,对游戏与绘本教学相结合提高幼儿教育实效进行探讨。 相似文献
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韩金霞 《青岛大学师范学院学报》2012,29(3):22-27
图画书不是插图书,不是认字书,也不是语言教科书。图画书运用"图"和"文"两种媒介,为幼儿创造了独特的阅读世界。从生命教育的角度看,阅读图画书就是幼儿与图画书、与同伴、与老师展开对话,共同建构多元化意义,从而引领幼儿享受图画书所创造的感性世界、故事世界、幻想世界的乐趣的过程。让图画书走进幼儿的日常生活,需要以合作共享为轴心建立生态阅读圈,以经验整合为轴心建立阅读系统。如此,逐步使阅读成为幼儿的生活方式,图画书才能真正以润物细无声的方式惠泽幼儿的生命。 相似文献
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Min-Yuan Ma 《Interactive Learning Environments》2016,24(8):1922-1937
The reading development of children depends on various sensory stimuli, which help them construct reading contexts and facilitate active learning and exploration. This study uses sensory stimuli provided by picture books using various forms of media to improve children's concentration performance. We employ picture books using four forms of media: conventional picture books, pop-up books, talking books, and e-books. Children in young (Grade 3) and senior elementary school students (Grade 6) are recruited as participants. The NeuroSky MindBand (electroencephalogram) is used as a tool to measure children's concentration. The results indicate that children in Grade 3 express higher concentration and interest than children in Grade 6 in picture books, and the effect of gender is greater than that of grade on the level of concentration invested in the picture book media form and exhibits a significant interaction and effects on children's concentration performance. As a result, we suggest that talking books or e-books, which provide multisensory stimuli, should be selected for elementary school boys. In addition, talking books should be selected for girls in young elementary school students, while conventional books should be used for girls in senior elementary school students to avoid distraction caused by excessive media stimuli. 相似文献
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李瑛 《南昌教育学院学报》2011,26(8):33-34
作为阅读文化的新取向,绘本已经成为一种流行的阅读形态,它的发展已呈欣欣向荣的局面。绘本兴盛原因在于绘本自身的发展和外部环境因素的共同作用。绘本周边产品市场的兴起,为绘本艺术开拓了新的设计领域和发展方向。 相似文献