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第六代导演的电影艺术实践是对影像艺术的不断探索与考究所形成的,与此同时第六代导演的作品也形成了独特的格调.从张元的"即兴创作"《北京杂种》,到娄烨的"个性化叙事"《周末情人》,再到贾樟柯的"臆造的纪实影片"《小武》,第六代导演从注重现实题材,到通过视觉和听觉传达影片的信息,以及画面的运动、色彩、光线、声音等影像.为了迎合大众的观影口味并且带给观众更好的观影效果,本文从审美理念、影片风格、文化觉醒三方面对第六代导演进行剖析. 相似文献
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作为一种对好莱坞压力的反应,也出于东方民族电影生存出路的寻求,亚洲国家在亚太文化圈的基础上,形成了一种引人注目的"亚洲新电影"现象。由于亚太文化圈和全球化的巨大影响。亚洲新电影导演从时代背景、生存环境、影片风格等多方面都呈现出一定的共性特征。文章从对"亚洲新电影"的释义入手,以亚洲新电影导演及影片为研究对象,通过分析亚洲新电影导演的文化语境,论述亚洲新电影导演的共性风格、文化表征和艺术追求,并探讨"亚洲电影"的发展前景和对策。 相似文献
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作为驿动着后现代意识的导演,王家卫主导的影片以"找寻与拒绝"的主题书写、平凡人物的形象塑造以及碎片化的情节叙事来结构影片的叙事框架,影射特定时代港人的生活意象、情感状态与审美追求,及其背后强烈的后现代表征与文化意义,某种意义上也诠释了现实生活与艺术真实之间的紧密关系。 相似文献
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被誉为美国独树一帜的著名导演奥利弗·斯通凭借壮丽精美的构图,凌厉快捷的剪辑,宏伟深厚的配乐,拍摄的"越战三部曲"成为别人难以复制、难以逾越的鸿篇巨制.本文试从影片《天与地》主题、叙事、视听语言等角度对其影像风格进行解读,以期为该类影片的构思和制作提供参考. 相似文献
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＂南京大屠杀＂作为电影的题材,仿佛永远不会过时。可能是其本身蕴含的苦难、悲壮、爱国,抑或是人性的东西息息相关的原因。《南京!南京!》与《金陵十三钗》是最近的反映这一历史事件的两部影片。笔者试从第六代导演与第五代导演的这两部影片,结合伽达默尔的历史与偏见的关系,就两部电影之影像语言、思想性等方面进行分析。希望通过对两部反映特定重大题材的影片,两位导演不同的处理方式进行比较,分析其异同。 相似文献
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本文以韩国导演朴赞郁的代表作品《共同警备区》为例,论述了象征手法对电影作品多重内涵表达中所起的重要作用。 相似文献
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电影的空间不仅是物理空间,更有着寓言性的特点,同时个体行为和社会关系得以在其中展现。影片《无人知晓》通过对孩子们生存空间的不断变化揭示出主体不断寻求自我身份的认同的过程。本文综合分析了导演多重建构的封闭空间,包括箱子、住宅、城市空间,试图发掘是枝裕和导演对封闭空间广泛、多层次的运用中所蕴含的导演创作意图。 相似文献
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Tamar Ashuri 《The Communication Review》2013,16(3):171-192
This article considers how film helps reconcile a traumatic collective past through representation of a personal trauma. It focuses on the role of witnesses in conveying their experiences regarding events that have traumatized them. The author suggests that a witness to a traumatic event performs the excess of an event that has transformed him or her. By framing the witness as a performer rather than a mere conduit for transferring knowledge to the uninformed, the article underscores the communicative dimension of witnessing by studying this process as an ongoing interplay between addressers and addressees who undergo mutual transformations in and by this action. These arguments are presented through an examination of the film Waltz With Bashir (2008), in which its director documented his struggle to come to terms with his personal trauma surrounding the part he played in the Lebanon War. The author suggests that by performing this loss of experience, the director turns the audience into witnesses, thus transforming a personal loss of experience into a collective experience of loss. 相似文献
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William Hazard 《广播与电子媒介杂志》2013,57(1):64-76
More than ever before, broadcasting stations are concerned with public service programming. Extremely relevant to this problem is the question of adequacy of news coverage. The Radio‐Television News Directors Association has initiated a series of studies into one of the major interest areas of the television news director, that of still pictures and news film. The first of these studies, dealing with the supply in various content categories of still pictures and motion picture films of news events, is reported below. 相似文献
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Patrizia La Trecchia 《传播与批判/文化研究》2013,10(2):152-170
What sorts of images and narratives of cosmopolitanism are circulating in our cultural discourse? Stories and ideas based on experiences of migration, travel, and exile are considered in relation to the Italian city of Naples, to propose an example of “South-centric” cosmopolitanism. Two different journeys in the Mediterranean, as narrated by Moroccan writer Tahar Ben Jelloun and by Neapolitan film director Vincenzo Marra, engage with the experience of travel through stories that in opposite directions—the first from North Africa to Naples, and the second from Naples to North Africa—cross territories and lines of logic of Northern and Southern boundaries and deal with notions of belonging and homecoming. 相似文献
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大学图书馆馆长任职资格研究 总被引：4，自引：1，他引：3
知识经济时代图书馆呼唤高素质的领导者,馆长作为图书馆一切活动的组织者和领导者,在整体事业建设与发展中发挥举足轻重的作用。该文通过对我国若干重点大学图书馆馆长的现状分析,提出21世纪图书馆馆长选拔的范围、原则和方法及其任职必备的三个条件,为图书馆领导人才的选任、培养机制的优化提供参考。 相似文献
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提升高校图书馆中层管理者的执行力分析 总被引：5，自引：0，他引：5
以高校图书馆中层管理者的执行力提升为研究对象,分析图书馆中层管理者执行力弱化的现状和根源,提出提升中层管理者执行力的方法和措施,通过对这一群体执行力的研究,从而促进图书馆更好地发展。 相似文献
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Michael W. Kramer 《Journal of Applied Communication Research》2013,41(2):141-162
In contrast to research in which an individual leader is assigned or expected to emerge, musical theater productions provide an opportunity to explore how leadership is shared among the director, assistant director, music director, choreographer, and stage manager in a naturally occurring group. This ethnographic study explores how one community theater group managed the sharing of leadership roles when the primary director assumed a passive or ineffective role. The study explores the communication and affective responses of the secondary leaders and cast members when they perceived that the primary leadership failed to function and then examines how secondary leaders and cast members communicated to share the leadership to produce successful theatrical performances. The results have implications for other groups with shared leadership structures. 相似文献