论大学图书馆部门组织设计   总被引：7，自引：0，他引：7  

王进杰  王润良  朱丽华 《中国图书馆学报》2004,30(2)

按照部门组织设计中部门技术框架理论,当今大学图书馆应设立的文献资源建设、信息服务和技术保障三个部门,均会受到技术例行性和技术依存性的影响。文献资源建设部门表现为技艺性技术和序列性依存,信息服务部门表现为例行性技术和集合性依存,技术保障部门则表现为工程性技术和相互性依存。高校馆在调配员工时应充分考虑这些部门的技术特点。图3。表1。参考文献5。  相似文献   

FAQ知识库的设计与实现     

陶跃军 《图书馆学研究》2005,(3):19-20,57

随着网络经济与文化的发展，在大多数商业网站、专业网站、政府及教育行业网站的主页中，几乎都设有FAQ(Frequently Asked Questions)栏目，而且形式多种多样。在图书馆领域，尽管我们拥有分类标引、组织的经验，但还是有许多图书馆的主页中根本就没有这样简单而适用的咨询栏目，更加谈不上在线咨询或虚拟参考咨询了。本文通过对FAQ知识库的建设与设计方法的论述，倡导对FAQ知识库内容的积累，为虚拟咨询知识库做好准备。  相似文献   

高校图书馆岗位竞聘制的价值、设计与管理   总被引：1，自引：0，他引：1  

吉卫红 《图书馆学研究》2005,(8):2-4

面对数字化时代的来临，如休管理好高校图书馆，激发图书馆员的工作积极性、创造性和责任感将成为图书馆工作的重点。本文认为岗位竞聘制是一个激发图书馆员潜力的有效方法，并从岗位竞聘的价值、设计与管理等方面加以阐述。  相似文献   

ECIP自动编目软件系统设计思想的探讨--兼与张丽娟等同志商榷   总被引：3，自引：0，他引：3  

蒋小耘 《图书馆杂志》2005,24(11):18-20

本文对ECIP计划中自动编目的MARC标准设定问题及自动编目系统实现的设计思想提出了自己的不同见解。  相似文献   

重庆五校土木类专业艺术教育现状调查研究     

刘朝霞  边靓 《高等工程教育研究》2018,(6):78-81

土木类专业实施艺术教育具有非常重要的意义。为了对土木类专业的艺术教育现状进行深入的分析和研究,进一步推进艺术教育的发展,采用问卷调查、访谈等方法,选取重庆市5所设有土木类专业的院校进行调查研究。结果显示,重庆市高校土木类专业的艺术教育在课程设置、艺术活动的开展、师资力量等方面都存在问题,限制了艺术教育的健康发展,最后提出了加强土木类专业艺术教育的对策与建议。  相似文献   

从应用理科到“新工科”     

王义遒 《高等工程教育研究》2018,(2):5-14

当前高等教育"新工科"建设的讨论中,从"应用理科"延伸出"新工科"被认为是一种可行的方案。本文分析了"理科"和"工科"的关系和区别,并从此角度探讨了由上述方案可能引出的问题及其解决途径。文章指出,从"应用理科"衍生出来的"新工科"在教育教学上必须增加新的工科要素或"基因";其中特别强调了由"创造人所需的有用物"的"工程"定义及其"多源"的综合性质所引发的"设计"与"融合"在教学上的重要性。笔者阐述了北大早年尝试建设新工科的经验教训并对此加以了说明。结合新经济所要求的"四新",文章分析了"融合"在"新产业"中的作用,据此提出了在建设新工科的课程体系中贯彻"融合"的一些原则建议。同时,文章还阐述了实践对新工科教育的重要性,并就"学产研"结合之途做了多方探讨。  相似文献   

Manufacture and Date of a Goryeo dynasty Sutra Box with Mother-of-pearl Inlaid Decoration at the Rijksmuseum,Amsterdam     

Nanhee Lee 《文物保护研究》2018,63(3):163-170

Currently, about ten Goryeo dynasty (918–1392 CE) sutra boxes are preserved in museums in Korea, Japan, the United States, the Netherlands, and the United Kingdom. This article is the result of an examination of a sutra box in the collection of the Rijksmuseum, Amsterdam (hereafter ‘Rijksmuseum sutra box’), which was first introduced to a European audience in the Transactions and Proceedings of the Japanese Society, in 1913–1914. The Rijksmuseum sutra box differs from other Goryeo sutra boxes. With its altered structure and modified motifs, this box bears significant value, not only for the research of thirteenth-century Goryeo mother-of-pearl art, but also for the study of cross-cultural adaptations in East Asian lacquer art. This article investigates the date of manufacture of the sutra box by analysing the manufacturing techniques and its various original and modified parts. For this, an X-ray radiograph was carried out for the first time. As a result, discoveries have been made regarding the structure and decoration of the lower part, which has been modified and is different from Goryeo mother-of-pearl sutra boxes. Finally, this paper reconsiders conservation and repair of Goryeo sutra boxes, as illuminated by an understanding of the original and repaired parts of this box.  相似文献   

The Ephemeral,the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings     

Rosario Llamas-Pacheco 《文物保护研究》2018,63(8):441-449

This article presents the intervention process carried out on a work of art created by artist Yolanda Gutiérrez Acosta, using a series of ephemeral materials such as butterfly wings and agave thorns. The work, an installation from 2002, is entitled ‘Efímeras’ (‘Ephemera’) and consists of 12 flowers mounted on acetate sheets and attached to the same with vinyl acetate copolymers and acrylic acid esters (Mowilith®). These flowers are installed on the floor in a bed of dried flowers. The conservation of contemporary art can lead to some previously unimaginable problems for restorers. Current works of art are somewhat material in nature, but they also have a conceptual dimension that is essential for their artistic interpretation. The artist’s participation in the decision-making process prior to the restoration was quite useful. The passage of time, its effect on the work, and the need to understand the possibility of the demise and destruction of the work were implicit as of the onset of its creation, such that, according to the artist, we are forced to reflect upon the possibilities of its future state.  相似文献   

Evaluation and Optimization of Matting and Framing Methods and Choice of Materials for the Temporary Display and Transit of Photographs and Works on Paper Using a Design of Experiments Approach     

Ana Martins  Lee Ann Daffner 《文物保护研究》2018,63(5):397-399

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Digital Inclusion in Library Context: A Perspective from Users with Print Disability     

Wondwossen M. Beyene 《Journal of Web Librarianship》2018,12(2):121-140

Digital inclusion is a strategy pursued to foster social inclusion of those who have been sidelined from the mainstream of information society due to lack of access to digital technologies and the skills to use them. Libraries have been working to close the gap by providing access to computers, the Internet, digital content, and digital literacy programs. However, research reveals a new type of divide where digitally competent people could be digitally excluded. This shows the need for a better conceptualization of access and literacy. This paper commits to exploring the concept of access to digital content from the perspective of people with print disability. It involved in-depth interviews with ten participants with print disability where the International Classification of Functioning, Disability, and Health was used as a framework for data analysis. The overall analysis shows that digital inclusion would be more meaningful if it involved providing content in alternative formats and empowering users to make informed choices. Issues such as flexibility and adaptability in content presentation and design of content discovery tools are among those discussed.  相似文献