再论教育创新与教师素质     

曹琨  王鹏翔 《延安教育学院学报》2003,17(3):5-7

教育创新是教育改革与发展的战略选择，是马克思主义教育思想在中国的新发展，它是时代赋予教育事业新的历史使命。作为教育创新主体的教师，要从贯彻落实“三个代表”要求的高度，提高自身素质，增强推进教育创新的自觉性和坚定性。  相似文献   

创新后勤服务理念,推进示范院校建设     

王芬香 《黄冈职业技术学院学报》2007,9(4):98-99

示范性高职院校的关键在其具有独特的办学理念、办学模式和管理特色。黄冈职业技术学院后勤服务集团通过树立以人为本的理念,创新管理模式,打造文化特色,充分发挥后勤服务在示范性高职院校建设中的推动作用。  相似文献   

关于单片机教学改革的探讨   总被引：3，自引：0，他引：3  

刘珊 《九江职业技术学院学报》2007,(1):50-51

在单片机教学中我们必须改革传统的教学方法,以激发学生兴趣,体会在知识应用的过程中学习的乐趣.以认知应用开发过程为先导,注重培养学生工程素质,促进学生创新能力的提高.  相似文献   

论创新与县域经济的发展   总被引：1，自引：0，他引：1  

王志民 《闽江学院学报》2003,24(4):30-34

壮大县域经济,是实践“三个代表”的要求和体现,是全面建设小康社会的需要。当前,关键在于按市场经济的内在规律办事,立足于观念创新、制度创新和服务创新,不断拓展县域经济的发展空间,增强县域经济发展内在活力,构筑县城经济发展的高效平台,明确农民、企业和政府三个主体的角色定位,切实落实促进县域经济发展的战略任务。  相似文献   

"转识成智":创新人才的培养何以可能?(下)——教育变人力资源大国为人力资本强国     

章仁彪 《湖北招生考试》2004,(24)

变人力资源大国为人力资本强国,亟待教育创新,即要变"以知识为导向的教育"为"创造为导向的教育";"学习的革命"关键要培养敢于和善于质疑的"学问"意识和"开发右脑"以促进思维的创新。现代大学要坚持"知识、能力、人格"的协调发展的素质教育和推进"教授治学"与"学生为本"的现代大学理念与制度创新;要能真正实现"转识成智"、化性为德,培养和造就更多的创新人才的目的,还有待于回归"学而时习之不亦悦乎"的教育哲学。  相似文献   

提高教育教学质量浅论     

霍琼芳 《高教论坛》2002,(6):50-51

对新世纪高等教育改革创新，提高教学质量方面进行探讨。在高教科学体系方面，围绕教育改革创新，营造教学、科研工作和教学管理工作的创新氛围，把着眼点放在提高教学质量，适应新形势而培养高素质人才方面展开研究。  相似文献   

对地方政府创新的若干思考     

李军 《鞍山师范学院学报》2004,6(3):14-16

地方政府创新是政府改革的焦点.各级地方政府在遵循中央的统一领导下,在地方官员选拔,地方政府管理理念、管理方式,地方政府职能转变等方面进行了一系列的创新,取得了显著成效.  相似文献   

Distributing and Showing Farmer Learning Videos in Bangladesh     

Jeffery W. Bentley  Paul Van Mele  Md. Harun-ar-Rashid  Timothy J. Krupnik 《The Journal of Agricultural Education and Extension》2016,22(2):179-197

Purpose: To describe the results of showing farmer learning videos through different types of volunteers.

Design/Methodology/Approach: Semi-structured interviews with volunteers from different occupational groups in Bangladesh, and a phone survey with 227 respondents.

Findings: Each occupational group acted differently. Shop keepers, tillage service providers, agricultural input and machine dealers reached fairly small audiences. Tea stall owners had large, male audiences. Non-governmental organisations and community-based organisations, reached more women. The cable TV (dish-line) operators showed the videos on local TV, but some were reluctant to do so again. The Union Information Service Centres showed the videos and reached women viewers. Half of the official government extension agents surveyed also showed the videos publically.

Practical Implication: This video featured maize, wheat and rice seeding machinery. Because the machinery is complex and requires hands-on training, this first video aimed to expose tillage and sowing service providers and farmers to the machinery, without trying to teach them how to use it. But some farmers were so interested that they watched the video many times to learn more about the equipment. Before farmers and service providers decide to buy machinery for direct seeding, they still want to see and learn from demonstration plantings, to examine first-hand how the crop behaves when planted with the new equipment.

Originality/Value: Video can be an effective way of sharing high-quality information with a large audience, if properly distributed.  相似文献   

地方高校本科生创新能力协同培养的探索与实践     

贺章擎  邹玲  付波 《教育教学论坛》2019,(4):160-162

针对我校信息类专业学生所存在的创新意识不强、创新能力不足、人文素质相对薄弱等问题,秉承"以学生为中心,关注能力发展,关注人文发展"的理念,构建了"开放课程平台+实践创新平台+人文素质教育平台"等资源,协同进行大学生创新能力培养,取得了显著成效。  相似文献   

Convergent designs in fine fashion: An evolutionary model for stylistic innovation     

Rossella Cappetta Author Vitae  Paola Cillo Author Vitae  Anna Ponti Author Vitae 《Research Policy》2006,35(9):1273-1290

In this paper we propose and test an evolutionary model of stylistic innovation, that is the change in the aesthetic and symbolic elements of products and services. Style is an increasingly relevant phenomenon in many industries and our goal is to develop a model of how styles get introduced and adopted. We build on existent literature on technological change to frame the dynamics of how style changes across time. In the model we propose, companies face periods of ferment with relevant stylistic variations and periods of convergence on a single trend—that is the stylistic convergent design versus the technologic dominant design. We identify the drivers of convergence in stylistic innovation. We test the model with a longitudinal empirical study (1984-2002) in the fine fashion industry, explaining the main differences between a stylistic and a technological evolutionary model.  相似文献