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1.
There is considerable interest in the potential non‐musical cognitive and academic benefits of music listening and instruction to children. This report describes three lines of research relevant to this issue, namely, the effects of: (1) focused music listening on subsequent task performance (the Mozart effect); (2) music instruction; and (3) background music listening. Research suggests that while Mozart effect studies have attracted considerable media attention, the effect cannot be reliably demonstrated in children. In contrast, music instruction confers consistent benefits for spatiotemporal reasoning skills; however, improvements in associated academic domains, such as arithmetic, have not been reliably shown. Finally, background music may calm and focus children with special education needs, thereby enhancing learning. Additional research is required to determine whether this effect is evident in normal populations. Overall, evidence for the non‐musical benefits of music listening and instruction is limited. The inherent value of music and music education should not be overlooked by narrowly focusing on cognitive and academic outcomes. 相似文献
2.
音乐内心听力对于音乐人从事音乐活动有着重要的作用。该文通过分析音乐练习、表演、创作和欣赏过程中音乐内心听力的活动，论述了音乐内心听力所具有的引导、指导甚至是决定性的作用；并且论述了培养和训练这种重要音乐技能的方法：唱、读、听、思“四位一体”训练法。 相似文献
3.
严凤仙 《宁波教育学院学报》2006,8(5):82-84
音乐是发展孩子想象力、创造力,促进个性发展的有效手段。在音乐教育中我们要以幼儿为本,充分发挥幼儿的自主性,要改变以往使艺术成为技能训练和表演的功能。我们可以让幼儿通过倾听音乐、感受旋律、表现音乐,体验快乐情绪;通过让幼儿创编歌词、创编动作、创编节奏,充分发挥幼儿的创造潜能;通过培养幼儿的协作意识、规则意识、良好情感,促进幼儿综合素质的提高。 相似文献
4.
Lindsay M. Timmerman Mike Allen Jill Jorgensen Jennifer Herrett-Skjellum Michael R. Kramer Daniel J. Ryan 《Communication quarterly》2013,61(3):303-324
This meta-analysis (k = 35, N = 11,629) examines the effect that listening to music, particularly popular music, has on consumers. Results demonstrate that listening to music generates an effect on listeners consistent with the content of the music (average r = .210, k = 35, N = 11,629). This effect was similar when considering survey research (r = .227) or experimental research (r = .265). The tenets of excitation transfer theory received some support, particularly when considering the effects of music as a priming material (r = .399), demonstrating the impact of music as a means of establishing mood, and ultimately the subsequent reactions of individuals. One conclusion is that efforts toward media literacy or education may prove far more productive than media content restrictions when attempting to curb potential undesirable media effects. Additional implications for policy and theory are discussed. 相似文献
5.
以郴州市8所中学的1560名学生为对象,调查了他们的闲暇活动.结果表明:调查对象在闲暇时间以听音乐、体育锻炼为主,学生最喜欢从事的活动是听音乐,其次是体育锻炼,并且有半数以上的学生对目前所在学校组织和安排的校内课外体育活动感到不太满意.因此,呼吁中学各级领导和所有教育工作者,在素质教育和健康教育快速发展的今天,应重视学校体育的重要组成部分———课外体育锻炼的工作. 相似文献
6.
Children in special education settings often lack appropriate listening skills. Two programs identified with developing listening skills, a music program and a storytelling program, were implemented by teachers with students in special education settings over a 30 week intervention period. A battery of tests measuring different aspects of listening such as receptive vocabulary, phonological processing, and listening comprehension, was administered to the students prior to the intervention period, at the end of the intervention period and again several weeks later. The results from the tests indicated that participation by the students in these programs had a positive effect on the development of their listening skills. The effects of the music and story‐telling programs were not apparent until the postpost‐pretest period suggesting that a longer time‐period is required for a statistically significant music effect or story effect on the listening skills of students in special education settings to show. 相似文献
7.
彭明妍 《潍坊教育学院学报》2007,20(4):30-31
学前教育专业的视唱练耳课既是基础理论课,又是基础技能课。教学中,只有使学生掌握了正确的读谱法,提高音乐的听辨能力和表现能力,才能学好这门课程。 相似文献
8.
魏华 《新乡师范高等专科学校学报》2007,21(5):141-143
音乐教育从本质上来说是一项塑造"人"的工程。感受与鉴赏(即音乐欣赏)是进行音乐教育的一种重要手段,音乐欣赏可以使受教者有机会接触到更多的音乐作品,培养人的健康向上的音乐审美情感,提高人的音乐审美能力,促进人的全面和谐发展。音乐教育必须遵循"以听为中心"的原则,发展学生的音乐听觉,培养其对音乐良好的感受能力,把全部教学活动牢固地建立在听的基础上。感受与鉴赏是整个音乐学习的基础,是培养学生音乐审美能力的有效途径。 相似文献
9.
10.
Joyce Ury Dumtschin 《Early Childhood Education Journal》1987,15(2):22-25
Most educators will agree that music has an important place in a high-quality program for young children. Singing or listening
to music are pleasurable activities, and the affective benefits of music are obvious to anyone who has ever sung a child to
sleep. What teachers may not realize, however, is how music may be incorporated into other areas of the curriculum.
Joyce Ury Dumtschin has taught in day care centers in Illinois and Ohio and is presently a freelance writer and musician. 相似文献
11.
谭文 《黔南民族师范学院学报》2006,26(1):86-89
音乐欣赏课堂中要给学生“动”的空间、时间、让学生在“动”中加深对音乐形象的联想,从而增强对音乐的表现力。教师要努力营造一个“动态”的课堂,让学生在视觉、听觉、触觉等方面得到动态享受,从而激发学生对音乐的创造欲望。 相似文献
12.
孔祥萍 《临沂师范学院学报》2000,22(4):87-89
<声无哀乐论>所涉及的音乐美学问题很多,但主要包含相互联系的两层含义其一是说音乐的本体是来自外在的自然,因而不包含哀乐之情;其二是说人们在倾听音乐时之所以产生哀乐之情,这并非音声使然.音乐与情感各自独立,但是在对应的关系层面上两者产生了关系,这使得音乐与情感的关系出现多种不同的现象,声无哀乐和声有哀乐都有其合理的一面,由此可以看出嵇康论述音乐与情感关系的全面性与科学性. 相似文献
13.
吴姗姗 《石家庄职业技术学院学报》2009,21(4):63-64
音乐欣赏课通过聆听音乐、表现音乐和创造音乐的活动,使学生体验蕴含于音乐形式中的美和丰富的情感,并与之产生强烈的共鸣,从而逐渐培养学生健康向上的审美情趣和积极乐观的生活态度． 相似文献
14.
孙兰鹃 《昆明师范高等专科学校学报》2010,32(2):130-132
马克思所说的音乐的耳朵是指音乐欣赏者综合的审美心理功能。要培养听众欣赏音乐的耳朵,首先要专注凝神发挥听觉功能,要进行丰富的音乐想象与比拟,还要具有充分的情感体验以及对音乐的深层理解与感悟。一部音乐作品之所以成为欣赏对象,是因为人具备了欣赏这个作品的一定的主观条件,即“音乐的耳朵”,而主观条件的来源基本上是艺术实践和生活实践。 相似文献
15.
罗可曼 《合肥师范学院学报》2014,(4):109-111
高师《乐理与视唱练耳课程》将基本乐理与视唱练耳合成为一门课程,把音乐基本理论与识谱、视唱技能和音乐听觉能力的培养溶于一炉,更加有效地建构构与发展学生的音乐认知、表现和审美能力。创新教学模式,实现理论与实践的交互推进与同步教学,是提高《乐理与视唱练耳课程》教学质量的必要前提。 相似文献
16.
李华平 《忻州师范学院学报》2004,20(4):64-66
听音训练是视唱练耳教学中很重要的一部分，也是视唱练耳教学中的难点。对于音乐专业的学生来讲，发展音乐听觉能力非常重要。在听音训练时必须有一定的教学方法，方可达到应有的教学效果。如单音听辨的搭桥法、音程听辨用音响效果听辨的方法、和弦听辨主要用听辨性质的方法、旋律听辨用首调思维的方法等等。 相似文献
17.
Olga Denac 《Early Childhood Education Journal》2008,35(5):439-444
In the interaction between the child and the adult, interest can be a significant motivational initiator of activities. Systematic
monitoring and development of the interest in music activities enables the teachers to influence the preschool children in
forming a positive attitude towards the art of music. The research involving preschool teachers, children at the age of five
to six and their parents, was conducted in order to determine the interest of preschool teachers and children in music activities.
We found that the teachers showed greatest interest in singing songs, playing instruments and listening to music. The children’s
favourite activities in kindergarten were movement to music (dancing), singing songs and playing on instruments, namely activities
where they could take active part in the educational process. The parents reported that at home the children preferred most
to listen to music, to sing songs and move to the sounds of music, and less to play on instruments and to be creative in music.
The development of the children’s interest in music depends on the teachers’ expression of interest in music activities, on
the choice of music activities and music contents and on the experience in the music environment of the family. 相似文献
18.
This article develops the argument that students of science in the UK are currently given inadequate opportunity to both critically appraise competing theories and imaginatively construct their own. Support for this idea comes from a comparison of science with music. Both contemporary science and music are the result of an historical development and both involve the production of novelty. Music in the National Curriculum provides students with opportunities to develop their listening and appraising as well as their performance and compositional skills. The parallels between music and science show ways in which music in the National Curriculum can inform changes to science in the National Curriculum in order to provide more opportunities for students to theorise and evaluate competing theories 相似文献
19.
良好的听觉是钢琴练习及作品表现的关键。良好的触键感觉来自于良好的听觉,只有建立良好的听觉才能正确掌握和使用踏板,只有正确运用良好的听觉和娴熟的演奏技巧才能把握和准确表现作品的风格及其内涵。 相似文献
20.
刘丽 《辽宁师范大学学报(社会科学版)》2009,32(2):85-87
音乐审美教育是以音乐为媒介、审美为核心的一种教育实践活动.其核心内容是美感教育,它通过聆听音乐、表现音乐和音乐创造等审美活动,使学生充分体验蕴涵于音乐音响形式中的美和丰富的情感,为音乐所表达的真、善、美的理想境界所吸引、所陶醉,并与之产生强烈的情感共鸣,从而达到培养学生爱国主义情感、树立正确的人生观、形成良好的道德品质的德育功效. 相似文献