A Process Approach to Community-Based Education: The People’s Free University of Saskatchewan     

Howard Woodhouse 《Interchange》2005,36(1-2):121-138

On the basis of insights provided by Whitehead and John Cobb, I show how the People’s Free University of Saskatchewan (PFU) is a working model of free, open, community-based education that embodies several characteristics of Whitehead’s philosophy of education. Formed in opposition to the growing commercialization at the original “people’s university,” (the University of Saskatchewan) the PFU has spawned distinctive ideals of its own. The PFU reflects Whitehead’s belief in the importance of shared knowledge fostered by community-based education, the value of abstract and practical knowledge, and the power of the imagination to establish a community of learners capable of acting freely together.  相似文献   

论"联想与想象"在歌唱中的作用     

彭雪萍 《黔南民族师范学院学报》2003,23(4):84-87

歌唱是人声的艺术,是音乐艺术的重要裁体。但由于人声音具有看不见、摸不着的非具象性特点,以及加之发声器官的隐蔽性,使歌唱教学中要求完美的声音塑造与良好的发声器官状态的联系难于理解与把握,在表现作品和塑造形象上增添了难度。为解决歌唱中声音的抽象性所存在的一些问题,在教学歌唱过程中借助“联想与想象”的方法,使歌唱训练生动化、形象化、具体化,从而达到事倍功半的效果。  相似文献   

谈诸葛亮审美意象的特性     

张书萍 《淮南职业技术学院学报》2002,2(1):62-64

《三国演义》中的诸葛亮是罗贯中倾注了全部心血和感情而塑造的千古英雄，文章运用审美意象的理论分析诸葛膏的感知性，想象性，悲剧性。  相似文献   

浅论刘禹锡咏史怀古诗的艺术个性     

李春霞 《怀化学院学报》2007,(5)

刘禹锡是中唐独具特色的优秀诗人,在我国诗歌史上有相当重要的地位,其诗在韩孟、元白诗派外独辟蹊径,自成一派,影响巨大。这与刘禹锡自觉总结诗歌理论是分不开。试以其自己的诗歌理论为指导,以其咏史怀古诗为中心,通过分析其咏史怀古诗内容的旨意含蓄,风格的取境精练、语言警策、想象丰富来显示刘禹锡独特的艺术个性。  相似文献   

浅谈表演技巧在播音主持专业的应用     

陈尚臣 《承德师专学报》2011,(3):100-103

针对播音主持专业的特点,在应用体验派表演艺术基本理论的基础上阐述了播音主持与表演的联系,论证了主持人也同样需要进行表演基本技巧的训练,根据表演的基本技巧对播音主持专业的表演课程进行设置,摸索出一些适合于播音主持专业的表演练习。  相似文献   

论教育史学的想象力     

王晓慧 《教育学术月刊》2011,(9):11-13,34

教育史学的想象力是一种教育史研究者所应具备的心智品质,它帮助处于当代教育场域中的研究者带着现实教育问题回到过去,并在理解过去教育的基础上研究与重构教育史,从而厘清与引领当代的教育改革。教育史学的想象力不仅能够帮助我们完成知识生产,而且能使教育史研究立足当下、重塑过往与走向实践。  相似文献   

The Arts and Open‐Mindedness     

Susan Verducci 《Educational theory》2019,69(4):491-505

Open‐mindedness is typically considered an intellectual virtue that brings humans into (closer) contact with reality and its complexities. In this essay, Susan Verducci expands the ways we typically think of cultivating open‐mindedness in classrooms to include the practice of engagement with the visual and performing arts. Working with the arts allows students and teachers to perceive and embody realities they would not normally experience. Specifically, the arts enable the drawing forth and exploration of multiple and subjective interpretations; the arts can therefore be uniquely productive in opening minds by helping one negotiate human perceptual constraints, by providing opportunities to enter standpoints other than one's own, and by encouraging the practice of living with uncertainty and ambiguity.  相似文献   

The visual rhetoric of the aerial view: From surveillance to resistance     

Eli B. Mangold 《Quarterly Journal of Speech》2019,105(1):25-41

We live in a world increasingly photographed from satellites, planes, and drones. Many scholars have viewed aerial imagery through a dystopian lens, largely due to its use by the state and its legacy of military applications. While problematic uses of aerial images persist, this paper theorizes rhetorical potentialities of aerial imagery. We posit how aerial imagery creates these potentialities through strategies related to questions of visibility, scale, and aesthetics. Using case studies that illuminate these strategies, we demonstrate how they can be used to resist state and corporate interests, constitute new social movements, and invite contemplation of otherwise repellent political subject matter. Ultimately, we argue that with increased technological access and the ability to reconfigure norms of expertise, the aerial view presents both opportunities for civic engagement and counter-hegemonic potential.  相似文献   

想望城市:论新世纪文学中农民的城市审美想象     

杨高强 《涪陵师范学院学报》2011,27(3):90-93

乡土叙事的城乡二元对立模式建构了乡村与城市互为想象的两种镜像,并且形成了乡村仰视城市、城市俯瞰乡村的一般审美传统。随着城市化进程的发展,城市与乡村之间由对视发展为对话,二者互为开放和拥抱的同时,农民对于城市的想象也发生了根本性的转变,想象姿态和审美情感的渐变在新世纪文学中表现得尤为突出,及时捕捉这些新鲜的信息有助于我们更好地塑造新的农民形象,全面把握文学在社会转型时期的律动与特征。  相似文献   

对建设现代中国文学史的一点补充性设想     

陈英英 《沧州师专学报》2011,(4):11-15

在对＂现代中国文学史＂这一文学史理论构想的合理性与艰难性进行阐释的同时,也对＂现代中国＂这一概念在国家建设和文学想象两个层面进行分析,并在现代中国文学史的现代民族国家的理论框架之外,试图从语言关系的层面对疏漏的海外华文文学、翻译文学、少数民族文学进行一定程度的包容尝试。  相似文献