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1.
Abstract John Dewey's lifework was to create a philosophy that encompassed both life‐experience and thought. He attempted to construct a philosophical system that incorporated life as it is lived, not in some ideal form. He rejected all dualisms, such as those between thought and action, fine and applied arts, or stimulus and response. An analysis of “experience” (defined as almost synonymous with “culture”) is central to Dewey's writing and leads him to emphasize process, continuity, and development, rather than static, absolute concepts. This paper examines the significance of Dewey's educational views for museum exhibitions and education programs, and his complex definitions of relevant concepts, with special emphasis on his interpretation of “experience.” Dewey's faith in democracy and his moral philosophy require that the value of any educational activity depends on its social consequences as well as its intellectual content, a proposition that is discussed and applied to museums. This argument suggests that exhibitions and programs can strengthen democracy by promoting skills that improve visitors' ability to become critical thinkers and by directly addressing controversial issues, taking the side of social justice and democracy.  相似文献   

2.
John Dewey, one of the preeminent educational theorists of our time, wrote Experience and Education 60 years ago, toward the end of his career, as a review of his educational philosophy and the progressive schools it had spawned. Based on the principle that all genuine education comes about through experience, Dewey's ideas are still current and particularly relevant to the theory and practice of museum education. They are, nevertheless, not widely cited within the museum profession. This article comments on Experience and Education, a slim, readable volume, in the hope of giving it wider readership. Major ideas from each chapter of the book are summarized along with comments on their application to various museum issues. Dewey distinguishes two fundamentally opposed ideas: that education is development from within and that it is formation from without. Believing that experience is the basis for education, he basically takes the within position, although he also warns against either-or thinking. Dewey identifies two aspects of experience and two criteria for judging it which have implications for such things as setting exhibit goals, evaluating exhibits, developing exhibit content, and untangling education and entertainment. He goes on to look at problems of implementing experience-based learning such as maintaining social control, moving people from initial impulses to more purposeful inquiry, and developing organized subject matter from individual experiences. All of this applies to museums as well as schools.  相似文献   

3.
儿童博物馆在过去二十年间由于种种原因,并没有在中国发展起来。一些相关的基本问题:“什么是儿童博物馆?儿童博物馆展示什么?为什么需要儿童博物馆?”在中国并不为大众熟悉,也没有受到太多博物馆专业领域人士的关注。本文将从影响儿童博物馆的理论及研究,儿童博物馆与其它场馆的区别,儿童博物馆的教育内容等几个方面来介绍儿童博物馆的核心教育理念。以期通过本文能够把儿童博物馆的精髓呈现出来,让更多的人了解并关注儿童博物馆,为中国儿童教育方式的发展提供一些参考。  相似文献   

4.
Abstract Reviewing the published legacy of museum scholar Stephen E. Weil, this paper analyzes the development of Weil's thought and appraises his contributions to museum discourse. It traces two shifts in Weil's published writings: first, the broadening of his interests from the legal field and the art world to the situation and purposes of museums generally; second, the liberalization of Weil's museological politics, which gradually altered his early view of the (art) museum as a private, sacrosanct realm and led to his later calls for museums to act as community servants. The paper also examines Weil's rhetorical strategies, with particular attention to the hypotheticals and analogies for which he was well known, and offers a provisional evaluation of the extent of his influence on museum debate and practice.  相似文献   

5.
《让孩子爱上博物馆》一书着重分析了建构主义理论在博物馆儿童教育中的应用,并针对博物馆儿童观众的研究成果分析做了深入阐述,对于全面指导博物馆儿童早期教育项目的设计与执行具有现实意义。受该书启发,本文最后以系统学视角,对教师、家长、博物馆从业者等不同主体促进孩子爱上博物馆提出了相关建议。  相似文献   

6.
展览是博物馆的核心工作之一,也是博物馆服务社会最普遍和最直接的途径。《博物馆展览策划:理念与实务》一书作者结合多年的博物馆理论研究和博物馆展览策划实践经验,直击当下我国博物馆展览策划的核心问题,对现代博物馆陈列展览策划所应遵循的理念、工作流程和工作规范进行了详细阐述,为当前及未来一段时期内我国博物馆的展览策划工作提出了极为具象的实践指南。  相似文献   

7.
在当今社会,博物馆为提升全民素质起到越来越重要的作用。为了更好地发挥博物馆的社会教育功能,博物馆馆员在教育活动设计或者展览设计的过程中有必要了解观众的参观需求以及参观偏好。因此,为了体现“以观众为中心”的工作理念,作者从“观众”的视角,对一次博物馆的参观体验进行观察和反思。本次探索发现,由于观众自身所处的社会文化背景的差异,他们面对同一件展品有着不同的关注点和兴趣点。这种差异性提醒博物馆馆员在与观众进行互动的过程中,需要了解观众的不同需求和不同偏好。并且,这种参观视角的多样性也为博物馆的教育工作提供了创意的源泉。  相似文献   

8.
博物馆学习隶属于非正式学习领域,在我国教育研究中处于边缘地位,为了推进国内博物馆学习研究向纵深方向发展,需要把握国际相关研究的热点与前沿趋势。文章采用CiteSpace分析软件对国内外相关文献的发文量、关键词共现、聚类及突现等方面进行可视化分析。总结博物馆学习研究再出发的路径:利用现代信息技术,实现博物馆数字化学习;关注公众参与及影响因素,提高博物馆学习质量;理论与实践相结合,深化博物馆科学学习研究;基于博物馆学习结果多元性,开展纵向研究;立足本土文化,深化馆校合作实证研究。  相似文献   

9.
高校博物馆研学旅行的发展历经蓄势积淀、起步发展阶段,目前正处于快速发展阶段。我国高校博物馆研学旅行教育资源丰富,研学旅行市场需求旺盛,但在高校博物馆研学课程建设和研学配套资源供给方面存在欠缺,影响高校博物馆高质量研学旅行活动的开展。鉴于此,本文从立足独特馆藏资源、抓住时代发展机遇、加强研学课程开发、优化研学配套资源供给等四个方面提出新时期高校博物馆研学旅行的优化策略,以期打造高质量的高校博物馆研学旅行活动,充分释放高校博物馆的教育潜能。  相似文献   

10.
博物馆学习的研究成果表明,展览除了可以通过自身的内容来对观众施加影响之外,环境设计也同样会对观众的参观效果产生影响。因此,合理评估展览环境的效果、并针对性地发现环境设计中的不足之处,将有助于展览提升总体的教育效果和观众的参观体验。本文以2017—2018年间在山东博物馆所进行的一系列博物馆学习相关研究与展览评估实践为基础,从观众的注意力水平入手,计算展厅中各个区域的“吸引力”,进而实现对展览环境效果的评估。此外,在这一过程中发现,展厅环境中的“展线”与“照明”设计,对观众的学习效果有潜在影响,值得引起博物馆在环境设计时的关注。  相似文献   

11.
场馆是家庭开展教育活动的重要场域,而家庭也被列为场馆教育的核心面向。针对场馆究竟如何开展家庭教育的问题,本研究从场馆教育者的专业视角出发,考察中国和加拿大场馆开展家庭教育的情况,寻求跨文化的经验借鉴。通过对场馆的教育理解和期待、家庭与场馆的教育动机以及家庭行为与场馆支持三个方面的深度比较,研究显示中加场馆开展家庭教育的特点各有侧重。无论优势,还是缺陷,都有共识和差异。在取长补短的意义上,我国场馆和家庭分别获得三点启示。  相似文献   

12.
科学教育逐渐受到重视,科技博物馆成为科学教育的重要场所。如何通过设计开发教育活动达到科学教育的目的是当前研究的重点。本文结合“基于证据的论证”和课堂教学中的论证模型,构建了“基于证据的论证”用于科技博物馆的教学流程。本研究以此教学流程为基础,以小学三年级学生为对象,设计开发了学习昆虫知识的博物馆教育活动。研究发现,基于此教学流程,学生的科学知识有所提升,并且在活动中呈现出基于证据进行有效论证的对话。  相似文献   

13.
教育功能作为科技博物馆的核心功能已经成为业界的共识。本文通过文献研究与案例分析研究并梳理了世界科技博物馆教育功能定位和角色演变的发展历程,将其划分为四个不同的发展阶段,并在此基础上研究了世界科技博物馆教育的现状与发展趋势以及对我国科技博物馆教育发展的启示:一方面,政府应将科技博物馆教育真正纳入国家教育体系之中,提升其地位。另一方面,我国科技博物馆应转变教育理念,不断拓展教育功能的深度和广度,实现教育活动的常态化、特色化和多样化,扩大科技博物馆教育的影响力。  相似文献   

14.
科技馆是校外科学教育的基础阵地,在提升青少年科学素质、培育未来科技创新人才等方面发挥着重要作用。《现代科技馆体系发展“十四五”规划(2021—2025年)》的出台,标志着我国科技馆体系进入新的发展阶段。本文从分析科技馆科学教育的重要定位出发,指出科技馆科学教育在实现价值引领、供给侧改革以及开放体系建设上的新目标,并结合我国科技馆科学教育发展中的现存问题,从理论研究、资源建设和生态构建层面提出解决方案,助力我国青少年科学素质提升。  相似文献   

15.
This paper compares two perspectives on why individuals visit museums using data from a telephone survey conducted in Minnesota in 1996. One perspective holds that individuals visit museums because of interest in the materials exhibited. Another holds that visits to museums are markers of social status, influenced more by social class variables, such as educational attainment. Information from the survey allows for construction of a set of interest indices, which reflect the respondents' levels of interest in various museum topics. The survey data also allow the estimation of regression models that test the relative roles of interest versus respondents' educational attainment as indicators of their likelihood of visiting any one of five different types of museums. Results show that topic interest is a stronger predictor than educational attainment. The implications for attracting museum visitors are discussed.  相似文献   

16.
David Wildon Carr (1945–2016) was recognized in the international cultural community as a scholar and instigator whose critical thinking challenged museum practitioners to reflect on the purpose and responsibility of their work. In his recent papers and lectures, he argued that those discussing museum experiences are late to enter into a dialogue already in progress—a dialogue which carefully considers the whole person in a community, and wherein thinking with a museum is an enterprise embedded in the learner's experience. This forum, written by three museum professionals in response to his recent untimely death, is intended to capture personal impressions of Carr's contribution to the continuing work of museums. Each author quotes from Carr's writings, since his words have such enduring strength—a strength that will continue to resonate long into the future. Each also offers readers some personal background on his work as a teacher.  相似文献   

17.
非正式科学教育对公民科学素质提升具有重要意义。本文依托国内外已有的理论和经验,运用传播学理论观点,从观众自身因素和外部环境因素入手,对基于展览展品的科普场馆非正式科学教育效果的影响因素进行分析,以科普场馆教育功能的开发和实现作为评估最核心的内容,构建传播效果评估指标框架,为科普场馆科学教育的设计和实施提供考核、监督、管理的依据。  相似文献   

18.
作为一本学术游记和随笔集,《域外博物馆印象》作者通过参观、考察众多的域外博物馆,从四个维度展现了自己的学术收获:以中国科普事业领导者的视角,对中国的科技馆事业建设发展予以指导;以科学传播理论研究学者的视角,探讨科学博物馆的发展规律;以中国科学博物馆行业引领者的视角,思考科学博物馆的教育功能;以科学博物馆忠实粉丝的视角,归纳科学博物馆的文化属性。  相似文献   

19.
Throughout their history, museums have performed diverse public services: from preservation, collection, and exhibition, to interpretation, education, and civic engagement. As Stephen E. Weil ( 2002 ) explains, since the mid‐twentieth century, museums have experienced two major revolutions. First, a revolution in focus from collection‐oriented to visitor‐oriented practices, and second, a revolution in public expectations as museums secured a position within the nonprofit sector (81–82). With competition for public, private, and philanthropic support resting upon measurable results, the evaluation of museums depends upon its ability to “accomplish its purpose” (5). However, the question remains: what is the museum's purpose? Which is the more important: collection and artifact preservation, or public engagement and education? An overview of museum practices reveals a multiplicity of professional tasks distributed among three imperatives: preservation, scholarship, and programming (Weil 2002 , 11). The competition for resources devoted to each of these imperatives can spark controversy—particularly if museum professionals answer the question of the purpose of museums differently. Organizational communication scholar, Janie M. Harden Fritz, developed a theoretical framework that seeks to respond to such controversies in Professional Civility: Communicating Virtue at Work. This essay considers Fritz's “professional civility” in the context of the American museum sector, lending insight to the question of museum purpose and function.  相似文献   

20.
This article presents the background, methodology, and results of a yearlong study of visitor motivation conducted by the Visitor Research Team (VRT) of Winterthur, a Delaware decorative arts museum. The article details the VRT's use of focus groups to determine what really motivates visitors to attend museums. Study results are consistent with recent work in the field showing that learning and recreation are the primary motivations behind museum visitation. Visitors valued museums as places for active, personal learning through the observation of objects and as outlets for physical and mental relaxation and escapism. Results also show that Winterthur visitors ascribe meanings to the words learning and recreation that are different from education and entertainment. The author calls on museums to discover the needs of their audiences and to design marketing and programming using visitors' vocabularies to promote and provide meaningful museum experiences.  相似文献   

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